Upside-Down is a series of five photovideographic artworks that follow a similar basic rule: the photographs used are the right way around at the start of the video and end upside down. But the important thing is what happens between these two moments: the colors migrate from top to bottom and bottom to top at different speeds, leaving trails in their path. Those at the bottom meet those at the top towards the middle of the screen and their hugs constitute the climax of the work (which lasts about thirty seconds in the middle of the videos). We go from figurative to abstract to return to figuration with displacement. The images are transformed into moving abstract paintings to regain their original altered form.
Upside-Down V is a still life that I composed using my pantry. Fruits and vegetables are arranged on a table with side lighting. As in the other videos of this series, the elements will be compressed in the center of the frame before being rejected on the wrong side.
Upside-Down V still
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
Upside-Down V still
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
Upside-Down is a series of five photovideographic artworks that follow a similar basic rule: the photographs used are the right way around at the start of the video and end upside down. But the important thing is what happens between these two moments: the colors migrate from top to bottom and bottom to top at different speeds, leaving trails in their path. Those at the bottom meet those at the top towards the middle of the screen and their hugs constitute the climax of the work (which lasts about thirty seconds in the middle of the videos). We go from figurative to abstract to return to figuration with displacement. The images are transformed into moving abstract paintings to regain their original altered form.
Upside-Down V is a still life that I composed using my pantry. Fruits and vegetables are arranged on a table with side lighting. As in the other videos of this series, the elements will be compressed in the center of the frame before being rejected on the wrong side.