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Bauhaus Photography.
In 1928, Moholy took a series of perhaps eight views of the Berlin Radio Tower: just finished in 1926, it was one of the most exciting new constructions in the German capital. Moholy had already photographed the Eiffel Tower in Paris, looking up through the tower’s soaring girders. In Berlin, however, he turned his camera around and pointed it straight down at the ground. The plunging perspective he chose showed off the most spectacular achievement of the Berlin Radio Tower: While the Parisian tower needed a base of 1,300 square feet for stability, the Berlin Radio Tower was nearly seven times smaller at its base—making the view from its 450-foot peak especially vertiginous.
The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be.
Edition: 1 of 1
The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be.
Funkturm Berlin (Berlin Radio Tower)
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Funkturm Berlin (Berlin Radio Tower)
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Bauhaus Photography.
In 1928, Moholy took a series of perhaps eight views of the Berlin Radio Tower: just finished in 1926, it was one of the most exciting new constructions in the German capital. Moholy had already photographed the Eiffel Tower in Paris, looking up through the tower’s soaring girders. In Berlin, however, he turned his camera around and pointed it straight down at the ground. The plunging perspective he chose showed off the most spectacular achievement of the Berlin Radio Tower: While the Parisian tower needed a base of 1,300 square feet for stability, the Berlin Radio Tower was nearly seven times smaller at its base—making the view from its 450-foot peak especially vertiginous.
The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be.
Edition: 1 of 1
The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be.
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