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Jill Pelto. This image is a painting of Easton Glacier on Mt. Baker in Washington State. A graph sharply cuts across in front of the mountain — the data is the distance the Easton Glacier has retreated from 2000-2021, which is about 350 meters (~1,150 ft). Highlighted on the data line is 2011, a year of significance to the glaciers and to me.

I have worked every August from 2009-2021 on the glaciers of the North Cascade mountain range in Washington. This is an incredible project my dad, Mauri Pelto, started and has led since 1983. It is called the North Cascade Glacier Climate Project. Our team works on the same group of about 10 glaciers across the range. We are measuring changes to their snow depths, surface slopes, and total area each year. Doing this work is a gift, and has built a deep emotional connection with these landscapes. But we are here to record them changing, and so we must witness something we love diminishing. There is immense beauty and importance to these glaciers — they are part of an ecosystem, supplying meltwater to flora and fauna. They are also crucial in supplying water to communities, stepping into action during the warm summer months when the state receives much less rainfall. There are several years that stand out to me in working on these glaciers — most of all is 2011. The mountains in the Pacific Northwest got snowfall that year which hadn’t been seen in a long time. That year, lakes that you can normally swim in were still frozen over in August, many hiking trails never saw the sun, and very little ice was exposed on the glacier of the North Cascades. It was magical to witness.

2011 will forever stand out in my mind as an important year for the glaciers and for my home in the Northeast U.S. Winter’s power has been diminishing over the course of my life, but that year it was more like a decade prior — we got continuous snowstorms that coated our world in white. My love for snow runs deep in my soul and shows through in my family’s history of becoming glaciologists and skiers.

The artist I am paired with for the companion piece is Claire Giordano, a good friend who has been going to Easton Glacier for much of her life, and who has joined us several times during our science research.

Data Source: https://wgms.ch/fogbrowser/

Watercolor, Colored Pencil and Acrylic

December 2021

Claire Giordano. Since 1990 the Easton glacier has receded 350 meters (1,150 feet) up the snow-covered flanks of Mt. Baker. When I imagine this place I love decades in the future, I am filled with both deep sadness and hope. It is this mix of emotions that inspired me to paint the mountain with a remnant of glacial ice left at the summit, in the hope that the grave of the Easton as I know it might be the seed for the ice’s return for future generations.

My painting also embodies other impacts of climate change. The beautiful colors of sunset and alpenglow on bare rock are heightened by the presence of wildfire smoke. And, perhaps unexpectedly, the loss of the glacier will also bring the opportunity for new life. Trees and plants will spread into the new areas of sand and rock exposed by the retreating ice, and the higher elevations of the mountain will become a refuge for plant and animal species that depend on cooler temperatures.

This landscape will become a place to remember what was lost, to witness the resilience of nature, and to reflect on the impact we have on our environment.

Watercolor & Gouache on paper

December 2021

TIMEPieces Slices of TIME (Artists) collection image

Slices of TIME is a two-part collection, inspired by TIME’s nearly 100 year history. The collection features four editions: single red border, single white border, double red border, and double white border. The rarity of this collection was determined completely by Slices of TIME collectors and was final and set as of 12pm ET Feb 23, 2022.

The collection includes work by TIME Creative Director DW Pine and 38 incredible artists. TIME selected 19 artists, who in turn picked 19 collaborators, to create two pieces of art—one inspired by a year from TIME’s past and one by what they see as a hundred years in the future. So, for example, 1969 and 2069.

Learn more about the collection: https://time.com/collection/slices-of-time/

View the Slices: https://opensea.io/collection/timepieces-sot-slices

Twitter | Discord

License Agreement: https://time.com/privacy/timepieces_license_agreement.html

Category Art
Contract Address0xd05d...94b8
Token ID1604
Token StandardERC-721
ChainEthereum
Last Updated4 months ago
Creator Earnings
10%

Snows of Winter Past, 2011 by Jill Pelto & Glacier’s Grave, 2111 by Claire Giordano

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Snows of Winter Past, 2011 by Jill Pelto & Glacier’s Grave, 2111 by Claire Giordano

#
2,614
visibility
6 views
  • Price
    USD Price
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    From
  • Price
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Jill Pelto. This image is a painting of Easton Glacier on Mt. Baker in Washington State. A graph sharply cuts across in front of the mountain — the data is the distance the Easton Glacier has retreated from 2000-2021, which is about 350 meters (~1,150 ft). Highlighted on the data line is 2011, a year of significance to the glaciers and to me.

I have worked every August from 2009-2021 on the glaciers of the North Cascade mountain range in Washington. This is an incredible project my dad, Mauri Pelto, started and has led since 1983. It is called the North Cascade Glacier Climate Project. Our team works on the same group of about 10 glaciers across the range. We are measuring changes to their snow depths, surface slopes, and total area each year. Doing this work is a gift, and has built a deep emotional connection with these landscapes. But we are here to record them changing, and so we must witness something we love diminishing. There is immense beauty and importance to these glaciers — they are part of an ecosystem, supplying meltwater to flora and fauna. They are also crucial in supplying water to communities, stepping into action during the warm summer months when the state receives much less rainfall. There are several years that stand out to me in working on these glaciers — most of all is 2011. The mountains in the Pacific Northwest got snowfall that year which hadn’t been seen in a long time. That year, lakes that you can normally swim in were still frozen over in August, many hiking trails never saw the sun, and very little ice was exposed on the glacier of the North Cascades. It was magical to witness.

2011 will forever stand out in my mind as an important year for the glaciers and for my home in the Northeast U.S. Winter’s power has been diminishing over the course of my life, but that year it was more like a decade prior — we got continuous snowstorms that coated our world in white. My love for snow runs deep in my soul and shows through in my family’s history of becoming glaciologists and skiers.

The artist I am paired with for the companion piece is Claire Giordano, a good friend who has been going to Easton Glacier for much of her life, and who has joined us several times during our science research.

Data Source: https://wgms.ch/fogbrowser/

Watercolor, Colored Pencil and Acrylic

December 2021

Claire Giordano. Since 1990 the Easton glacier has receded 350 meters (1,150 feet) up the snow-covered flanks of Mt. Baker. When I imagine this place I love decades in the future, I am filled with both deep sadness and hope. It is this mix of emotions that inspired me to paint the mountain with a remnant of glacial ice left at the summit, in the hope that the grave of the Easton as I know it might be the seed for the ice’s return for future generations.

My painting also embodies other impacts of climate change. The beautiful colors of sunset and alpenglow on bare rock are heightened by the presence of wildfire smoke. And, perhaps unexpectedly, the loss of the glacier will also bring the opportunity for new life. Trees and plants will spread into the new areas of sand and rock exposed by the retreating ice, and the higher elevations of the mountain will become a refuge for plant and animal species that depend on cooler temperatures.

This landscape will become a place to remember what was lost, to witness the resilience of nature, and to reflect on the impact we have on our environment.

Watercolor & Gouache on paper

December 2021

TIMEPieces Slices of TIME (Artists) collection image

Slices of TIME is a two-part collection, inspired by TIME’s nearly 100 year history. The collection features four editions: single red border, single white border, double red border, and double white border. The rarity of this collection was determined completely by Slices of TIME collectors and was final and set as of 12pm ET Feb 23, 2022.

The collection includes work by TIME Creative Director DW Pine and 38 incredible artists. TIME selected 19 artists, who in turn picked 19 collaborators, to create two pieces of art—one inspired by a year from TIME’s past and one by what they see as a hundred years in the future. So, for example, 1969 and 2069.

Learn more about the collection: https://time.com/collection/slices-of-time/

View the Slices: https://opensea.io/collection/timepieces-sot-slices

Twitter | Discord

License Agreement: https://time.com/privacy/timepieces_license_agreement.html

Category Art
Contract Address0xd05d...94b8
Token ID1604
Token StandardERC-721
ChainEthereum
Last Updated4 months ago
Creator Earnings
10%
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