New York City 1996 35mm Film Photographing models' reflections, a theme I often return to, can add a layer of depth and a unique perspective. It creates a personal and intimate moment with the subject, as well as a voyeuristic angle. This photograph was taken in 1996, the week the model Luca arrived from Russia. He had big plans which came true. His exceptional good looks and confidence were an obvious fit in the mirror.
New York City 1996 35mm Film Photographing models' reflections, a theme I often return to, can add a layer of depth and a unique perspective. It creates a personal and intimate moment with the subject, as well as a voyeuristic angle. This photograph was taken in 1996, the week the model Luca arrived from Russia. He had big plans which came true. His exceptional good looks and confidence were an obvious fit in the mirror.
Double Trouble 4/10
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Double Trouble 4/10
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New York City 1996 35mm Film Photographing models' reflections, a theme I often return to, can add a layer of depth and a unique perspective. It creates a personal and intimate moment with the subject, as well as a voyeuristic angle. This photograph was taken in 1996, the week the model Luca arrived from Russia. He had big plans which came true. His exceptional good looks and confidence were an obvious fit in the mirror.
New York City 1996 35mm Film Photographing models' reflections, a theme I often return to, can add a layer of depth and a unique perspective. It creates a personal and intimate moment with the subject, as well as a voyeuristic angle. This photograph was taken in 1996, the week the model Luca arrived from Russia. He had big plans which came true. His exceptional good looks and confidence were an obvious fit in the mirror.