Harman's "Boxer" from The 10th E State is not just a striking visual composition but a profound commentary on identity, resilience, and the indomitable human spirit. The painting captures a moment of raw aftermath as a prizefighter from the 10th E State stands bruised and bloodied after a taxing match. Surrounded by the stark industrial backdrop of a 10th E State factory, he is both a victor in combat and a symbol of the broader existential battle faced by the citizens he embodies.

The tattoo on his chest, an emblem of the 10th E State, involuntarily marked on its citizens, serves as a stark reminder of the regime's pervasive control. Far from a voluntary symbol of allegiance, it is a brand that each individual bears—a sign of imposed identity and a narrative of struggle etched into the skin. In this portrayal, the boxer's physical scars are paralleled by the psychological and societal wounds inflicted by the 10th E State's ruling powers.

The painting extends beyond the canvas to engage with themes of power, control, and the human capacity to endure and resist. The boxer's stance, amidst the scars of his recent bout, is one of quiet defiance. His opponent remains faceless and unknown, a metaphor for the ubiquitous adversities imposed by life under the regime. It is not just a fight against a rival in the ring but against the very forces that seek to define the essence of the 10th E State's citizens.

"Boxer" compels the viewer to confront the harsh realities of life within the 10th E State, inviting introspection on the nature of freedom, the weight of imposed identities, and the fight for self-determination. The fighter, battered yet unbroken, becomes an emblem of the estate's defiance against existential suppression, his every wound a testament to the persistence of the human spirit under the shadow of autocracy.