In the austere landscape of The 10th E State, where the expression of art is not merely a rebellion but a clandestine odyssey, Anselm Rothko stands as a self-anointed pilgrim of creativity. Against a backdrop that forbids galleries and stifles the free exhibition of personal expression, the act of painting becomes a sacred rite, performed in the shadowed peripheries of this repressive world.

The origins of Anselm Rothko's name are found within the dim, silent aisles of the abandoned 10th E State library, where amidst decay and the dust of neglect, two artists from the old world reached through the annals of time to ignite the spark of inspiration within a young, untrained seeker. The only remnants of a once-thriving artistic heritage in this forsaken place were the weathered pages that bore the works and philosophies of Anselm Kiefer and Mark Rothko. From these serendipitous encounters with the last vestiges of artistic expression, the young creator claimed a new identity, weaving his own name into the fabric of their legacy.

Anselm Rothko's artistic journey is one of defiance and discovery. With every clandestine stroke of his brush, there is a connection to the artistic lineage that the state has sought to erase. His canvas, crafted from the debris and remnants scavenged from the outskirts of the city, becomes a canvas of remembrance and revolution. The rich, vivid colors that he blends are not only a homage to the chromatic splendor of Mark Rothko's works but also serve as a beacon of hope in a world where such vibrancy is a defiant scream against the monochrome silence imposed upon it.

The peripheries of the 10th E State, where Anselm Rothko finds his sanctuary, become the cradle for a burgeoning era of clandestine expression. Here, the artist toils in solitude, but his art speaks volumes, engaging in a silent dialogue with an unseen audience of the future, those he fervently hopes will one day unravel the language of his creation.

Anselm Rothko's story is the embodiment of the eternal quest for the liberation of the human spirit through art. It is a living testament to the relentless human will to create, to remember, and to transform the desolation around him into a crucible of imagination. In his tribute to Kiefer and Rothko, he does not simply mimic their aesthetic but inherits their relentless spirit, continuing the lineage of artists who paint not just on a canvas, but on the very essence of humanity itself.