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By sarahlyndsay
By sarahlyndsay
Meeting of the Waters, Glacier National Park, Canada. A middle of the day shot made possible by using a 10 stop ND filter. I find photographing in the middle of the day to be incredibly flat if the light is not right, but using a long exposure technique helps add drama and depth to the scene making it look out of this world.
“World of Long Exposure” is a collection of 10 unique 1/1 landscape photography NFTs by Sarah Lyndsay
When I first picked up a camera and began my landscape photography journey, I was immediately drawn to the art of long exposure. This is a technique which uses a Neutral Density filter and acts as a pair of sunglasses for the camera. The filter cuts down on the amount of light hitting the sensor which then allows the camera to capture images at longer shutter speeds creating smooth water and streaks in the clouds.
My go to staple filter is a 10 stop ND and each image in this series was photographed with one. By using the filter, it helps me create an ethereal image with a dramatic edge and has become my signature look for the majority of my landscape imagery. It doesn’t matter where or what I am photographing, if there is a sky and water in the image, I will reach for my 10 stop.
Meeting of the Waters
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Meeting of the Waters
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By sarahlyndsay
By sarahlyndsay
Meeting of the Waters, Glacier National Park, Canada. A middle of the day shot made possible by using a 10 stop ND filter. I find photographing in the middle of the day to be incredibly flat if the light is not right, but using a long exposure technique helps add drama and depth to the scene making it look out of this world.
“World of Long Exposure” is a collection of 10 unique 1/1 landscape photography NFTs by Sarah Lyndsay
When I first picked up a camera and began my landscape photography journey, I was immediately drawn to the art of long exposure. This is a technique which uses a Neutral Density filter and acts as a pair of sunglasses for the camera. The filter cuts down on the amount of light hitting the sensor which then allows the camera to capture images at longer shutter speeds creating smooth water and streaks in the clouds.
My go to staple filter is a 10 stop ND and each image in this series was photographed with one. By using the filter, it helps me create an ethereal image with a dramatic edge and has become my signature look for the majority of my landscape imagery. It doesn’t matter where or what I am photographing, if there is a sky and water in the image, I will reach for my 10 stop.
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