Augustine, Senegal, 2017. Augustine lives on the Gorée Island opposite to Dakar. It was the place of departure for black slaves before they were sold in America. After school, instead of hanging out in the streets with her friends, she goes to Keur Khadijia, a children's center with games and a library. Adults offer tutoring to help young people study longer and free themselves from their destiny.
Floriane is a traveler in search of strong encounters she captures with intensity through her camera. The series “How Much Can You Carry?” is based on her fascination with the long lines of walkers carrying various objects all along African roads. Started in 2012 in Ethiopia, and still ongoing, this series now spans 4 continents.
Through her framing, both frontal and direct, Floriane stages each of her subjects with what matters most to them, which can be basic necessities, essential materials or precious possessions.
This series has two levels of understanding: the first refers to modern caryatids*; the second tells us about the weights we all carry, physical and psychological (weight of tradition, education, family, etc.).
*Caryatid: a sculpted female figure serving as an architectural support in place of a column or a pillar supporting an entablature on her head.
Augustine
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Augustine
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Augustine, Senegal, 2017. Augustine lives on the Gorée Island opposite to Dakar. It was the place of departure for black slaves before they were sold in America. After school, instead of hanging out in the streets with her friends, she goes to Keur Khadijia, a children's center with games and a library. Adults offer tutoring to help young people study longer and free themselves from their destiny.
Floriane is a traveler in search of strong encounters she captures with intensity through her camera. The series “How Much Can You Carry?” is based on her fascination with the long lines of walkers carrying various objects all along African roads. Started in 2012 in Ethiopia, and still ongoing, this series now spans 4 continents.
Through her framing, both frontal and direct, Floriane stages each of her subjects with what matters most to them, which can be basic necessities, essential materials or precious possessions.
This series has two levels of understanding: the first refers to modern caryatids*; the second tells us about the weights we all carry, physical and psychological (weight of tradition, education, family, etc.).
*Caryatid: a sculpted female figure serving as an architectural support in place of a column or a pillar supporting an entablature on her head.