Through geometric shapes, vibrant colours and a masterful use of space, the work invites the viewer into a silent contemplation of this almost mystical experience of seeing the world. We are reminded that ignorance is the root of human suffering, while the journey of these displaced people embodies a desperate search for knowledge, hope and freedom.
My inspiration comes from both the macro and micro world, where I find circular, spherical and elliptical shapes that connect me to nature. In my works, I seek to manifest our union with the natural environment, showing the beauty that often goes unnoticed in these dimensions of life.
To capture these concepts in my works, I create my own tools in a handmade way, allowing the impressions to develop directly and spontaneously. I use brushes and acrylic gouaches and inks to intervene on the canvas, creating loose, overlapping gestures that harmonise the composition.
My painting is abstract, where the spontaneous, confident and free expression of the gesture is of fundamental importance. However, I do not neglect the previous and detailed study of the pictorial exercise and the final composition.
At the heart of my work, there is a constant search for the essential, for the spirit of things, for what is beyond the surface and the visible. My works seek to remove barriers and create a u
Displacements
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Displacements
- Unit PriceUSD Unit PriceQuantityExpirationFrom
- Unit PriceUSD Unit PriceQuantityFloor DifferenceExpirationFrom
Through geometric shapes, vibrant colours and a masterful use of space, the work invites the viewer into a silent contemplation of this almost mystical experience of seeing the world. We are reminded that ignorance is the root of human suffering, while the journey of these displaced people embodies a desperate search for knowledge, hope and freedom.
My inspiration comes from both the macro and micro world, where I find circular, spherical and elliptical shapes that connect me to nature. In my works, I seek to manifest our union with the natural environment, showing the beauty that often goes unnoticed in these dimensions of life.
To capture these concepts in my works, I create my own tools in a handmade way, allowing the impressions to develop directly and spontaneously. I use brushes and acrylic gouaches and inks to intervene on the canvas, creating loose, overlapping gestures that harmonise the composition.
My painting is abstract, where the spontaneous, confident and free expression of the gesture is of fundamental importance. However, I do not neglect the previous and detailed study of the pictorial exercise and the final composition.
At the heart of my work, there is a constant search for the essential, for the spirit of things, for what is beyond the surface and the visible. My works seek to remove barriers and create a u