Bomb Story: At the start, The Hundreds was rooted in the '80s and '90s Southern California subcultures that comprised our youth. One big element of that season was rave culture, and most notably, rave flyers. There are entire Tumblrs and IG pages dedicated to the cult around these pocket-sized party ads. They shared the same glossy die-cut cardstock and early graphic design, but they each held their own emotions and memories from the ensuing events. Til Dawn Adam is referenced from one of the more popular rave flyers of the 1990s. | Background Story: The challenge was to design a new camouflage pattern using only one color. Typically, camos are broken up into multi-colored panels - was there a way to simplify the artwork down to its most base elements? We were able to retain the same identifiable shapes, but in order to distinguish them from each other, we used gradients like shadows or shading. Mission accomplished.
#18014
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#18014
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Bomb Story: At the start, The Hundreds was rooted in the '80s and '90s Southern California subcultures that comprised our youth. One big element of that season was rave culture, and most notably, rave flyers. There are entire Tumblrs and IG pages dedicated to the cult around these pocket-sized party ads. They shared the same glossy die-cut cardstock and early graphic design, but they each held their own emotions and memories from the ensuing events. Til Dawn Adam is referenced from one of the more popular rave flyers of the 1990s. | Background Story: The challenge was to design a new camouflage pattern using only one color. Typically, camos are broken up into multi-colored panels - was there a way to simplify the artwork down to its most base elements? We were able to retain the same identifiable shapes, but in order to distinguish them from each other, we used gradients like shadows or shading. Mission accomplished.
- Sales
- Transfers