Symphonic Dreams - Beethoven
Symphonic Dreams is part of Refik Anadol Studio’s ongoing synesthetic reality experiments that utilize machine-learning algorithms trained on large datasets containing art historical images from the Renaissance period. The first step in the process is to collect, categorize, and refine publicly available images of every European architectural form built between 1300-1600. The resulting dataset then transforms into a latent multi-sensory experience displaying various imaginary sacred spaces. The piece self-generates pigments, shapes, and patterns in response to the visual input that the machine processes. The final work pays homage to the unbound poetic sublimity of both Beethoven’s 7th Symphony and Renaissance architecture.
AI DATA PAINTING
3840 X 2160PX
16 MINUTES (VIDEO LOOP)
DATA : ART HISTORICAL IMAGES FROM THE RENAISSANCE PERIOD
Edition of 5 plus 2 artist's proofs (#2/5 + 2AP)
Refik Anadol (b. 1985, Istanbul, Turkey) is a media artist, director and pioneer in the aesthetics of data and machine intelligence. His body of work locates creativity at the intersection of humans and machines. In taking the data that flows around us as the primary material and the neural network of a computerized mind as a collaborator, Anadol paints with a thinking brush, offering us radical visualizations of our digitized memories and expanding the possibilities of architecture, narrative, and the body in motion. Anadol’s site-specific AI data sculptures, live audio/visual performances, and immersive installations take many forms, while encouraging us to rethink our engagement with the physical world, its temporal and spatial dimensions, and the creative potential of machines.
Symphonic Dreams - Beethoven - AI Data Painting - Edition 2 of 5 + 2AP
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Symphonic Dreams - Beethoven - AI Data Painting - Edition 2 of 5 + 2AP
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Symphonic Dreams - Beethoven
Symphonic Dreams is part of Refik Anadol Studio’s ongoing synesthetic reality experiments that utilize machine-learning algorithms trained on large datasets containing art historical images from the Renaissance period. The first step in the process is to collect, categorize, and refine publicly available images of every European architectural form built between 1300-1600. The resulting dataset then transforms into a latent multi-sensory experience displaying various imaginary sacred spaces. The piece self-generates pigments, shapes, and patterns in response to the visual input that the machine processes. The final work pays homage to the unbound poetic sublimity of both Beethoven’s 7th Symphony and Renaissance architecture.
AI DATA PAINTING
3840 X 2160PX
16 MINUTES (VIDEO LOOP)
DATA : ART HISTORICAL IMAGES FROM THE RENAISSANCE PERIOD
Edition of 5 plus 2 artist's proofs (#2/5 + 2AP)
Refik Anadol (b. 1985, Istanbul, Turkey) is a media artist, director and pioneer in the aesthetics of data and machine intelligence. His body of work locates creativity at the intersection of humans and machines. In taking the data that flows around us as the primary material and the neural network of a computerized mind as a collaborator, Anadol paints with a thinking brush, offering us radical visualizations of our digitized memories and expanding the possibilities of architecture, narrative, and the body in motion. Anadol’s site-specific AI data sculptures, live audio/visual performances, and immersive installations take many forms, while encouraging us to rethink our engagement with the physical world, its temporal and spatial dimensions, and the creative potential of machines.
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