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By spir_shrine
By spir_shrine
Isn’t it rather poetic that we couldn’t go further past absolute zero (-273.15 C)? Unlike heat, where we could always add more without any hard ceiling at all— the lowest point of cold, the absence of heat, is absolute.
“How can you expect something that’s warm to understand one who’s cold?”
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480 × 270 cells pixelart
3840 × 2160 px • PNG
—
Read a bit about how MEK struggle in his daily job and why pixel is his choice in this short interview: https://mirror.xyz/spirouzi.eth/my37R1K0nYV3ON1QNg4YGMV8Q7ui_vw8-qQzM0iO8Oc
We as a human instinctively draw ourselves to nature, charmed by its beauty, smiling upon its wake. Our infatuation with nature is recorded as old as the 4th century in the form of landscape painting.
What are we really see in a landscape? What are we “now” seeing in a landscape?
The age has come to a digital era where LCD screens become a feasible option to display ideas. Are the way we see nature become different with this digital inception? Are the way we paint nature become different in this generation?
The questions are trying to be answered by XALTED, Wrenn, & MEK.txt
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This collection was published in Nifty Gateway by spir's shrine
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Contract Address0x6a4a...3c8f
Token ID243
Token StandardERC-721
ChainEthereum
Last Updated1 year ago
Creator Earnings
The Absence of Heat #59/178
Owned by
RCIV
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The Absence of Heat #59/178
Owned by
RCIV
0
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By spir_shrine
By spir_shrine
Isn’t it rather poetic that we couldn’t go further past absolute zero (-273.15 C)? Unlike heat, where we could always add more without any hard ceiling at all— the lowest point of cold, the absence of heat, is absolute.
“How can you expect something that’s warm to understand one who’s cold?”
—
480 × 270 cells pixelart
3840 × 2160 px • PNG
—
Read a bit about how MEK struggle in his daily job and why pixel is his choice in this short interview: https://mirror.xyz/spirouzi.eth/my37R1K0nYV3ON1QNg4YGMV8Q7ui_vw8-qQzM0iO8Oc
We as a human instinctively draw ourselves to nature, charmed by its beauty, smiling upon its wake. Our infatuation with nature is recorded as old as the 4th century in the form of landscape painting.
What are we really see in a landscape? What are we “now” seeing in a landscape?
The age has come to a digital era where LCD screens become a feasible option to display ideas. Are the way we see nature become different with this digital inception? Are the way we paint nature become different in this generation?
The questions are trying to be answered by XALTED, Wrenn, & MEK.txt
--
This collection was published in Nifty Gateway by spir's shrine
--
Contract Address0x6a4a...3c8f
Token ID243
Token StandardERC-721
ChainEthereum
Last Updated1 year ago
Creator Earnings
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