Pyongyang, 2017. Pak Chol Guk in Kim Il-sung Square. I like this portrait because it reveals many working-class symbols of the North Korean regime.
Stephan Gladieu began his career as a war photographer in 1989, criss-crossing through, among other places, Europe, Central Asia, China, India and the Middle East. He likes to bear witness to the human condition through the production of portraits as in his series Hereros, Maï Maï, Homo Detritus and North Korea. The latter project was selected to headline the Rencontres d'Arles in 2021.
Kim Il-sung Square I
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Kim Il-sung Square I
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Pyongyang, 2017. Pak Chol Guk in Kim Il-sung Square. I like this portrait because it reveals many working-class symbols of the North Korean regime.
Stephan Gladieu began his career as a war photographer in 1989, criss-crossing through, among other places, Europe, Central Asia, China, India and the Middle East. He likes to bear witness to the human condition through the production of portraits as in his series Hereros, Maï Maï, Homo Detritus and North Korea. The latter project was selected to headline the Rencontres d'Arles in 2021.