"The reality of our mundane life is that these two layers of reality are in fact tightly interwoven, constantly influencing, interacting, shaping & reshaping, consuming and acting. Our inherited bias towards seeing the man-made, or artificial, as different from the natural world further obscures this reality where digital agents (software & hardware) behave and interact as an ecosystem, also with the natural world.
As a way of engaging with this, we took our starting point in examining the benchmark datasets that are typically used to evaluate the performance and accuracy of neural network architectures, the most well-known of these being Imagenet. These datasets very much are an attempt at gathering what we would consider a usefully representative slice of our modern (western) mundane reality, the categories being things we would typically find relevant to recognise in a day-to-day context such as cars, dogs, buildings, people, toasters and so on. Naturally current neural networks have become eerily good at not only recognising but also generating synthetic examples of these mundane categories.
By using these pre-trained 'mundane' models that can only recreate from the data that they were trained upon, we began a process of prompting, manipulating and stretching these networks in order to create speculative representations of the entangled reality of the digital & physical. Exploring how we can stretch our imagination so as to see a world of harmoniously interacting artificial and natural life as one single, sustainable ecosystem, starting from the day-to-day frame of reference.
Two works in this exhibition are cyanotypes - one of the oldest photographic printing processes. I find Anna Atkins work from 1843 deeply inspiring because she was discovering the use of new technology to document the natural way in a way that hadn’t been done before, especially when the most prevalent way of documenting back then was writing and drawing." - Feileacan McCormick and Sofia Crespo.
Previous exhibitions: 2022 MoCDA The Foundry artists in residency, 2022 GARDENING Amelisweerd, 2021 ZER0|1NE II MMXXI (IL), 2021 Aiiiii: The Book of Sand (CN), 2021 Fiber Festival (NL), 2021 Terrain Offline (IN)
A randomly selected collector will receive a physical cyanotype of the artwork.
'Hybrid Ecosystems' is an ongoing series of explorations into creating an unveiling of our entangled world. The digital and physical world seems at first glance separate, occupying different layers of reality that seem to reluctantly interact, this is further reinforced through the manner in which digital interfaces are designed. The reality of our mundane life is that these two layers of reality are in fact tightly interwoven, constantly influencing, interacting, shaping & reshaping, consuming and acting. Our inherited bias toward seeing the human-made, or artificial, as different from the natural world further obscures this reality where digital agents (software & hardware) behave and interact as an ecosystem, also with the natural world.
random access pond - analog #4
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
random access pond - analog #4
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
"The reality of our mundane life is that these two layers of reality are in fact tightly interwoven, constantly influencing, interacting, shaping & reshaping, consuming and acting. Our inherited bias towards seeing the man-made, or artificial, as different from the natural world further obscures this reality where digital agents (software & hardware) behave and interact as an ecosystem, also with the natural world.
As a way of engaging with this, we took our starting point in examining the benchmark datasets that are typically used to evaluate the performance and accuracy of neural network architectures, the most well-known of these being Imagenet. These datasets very much are an attempt at gathering what we would consider a usefully representative slice of our modern (western) mundane reality, the categories being things we would typically find relevant to recognise in a day-to-day context such as cars, dogs, buildings, people, toasters and so on. Naturally current neural networks have become eerily good at not only recognising but also generating synthetic examples of these mundane categories.
By using these pre-trained 'mundane' models that can only recreate from the data that they were trained upon, we began a process of prompting, manipulating and stretching these networks in order to create speculative representations of the entangled reality of the digital & physical. Exploring how we can stretch our imagination so as to see a world of harmoniously interacting artificial and natural life as one single, sustainable ecosystem, starting from the day-to-day frame of reference.
Two works in this exhibition are cyanotypes - one of the oldest photographic printing processes. I find Anna Atkins work from 1843 deeply inspiring because she was discovering the use of new technology to document the natural way in a way that hadn’t been done before, especially when the most prevalent way of documenting back then was writing and drawing." - Feileacan McCormick and Sofia Crespo.
Previous exhibitions: 2022 MoCDA The Foundry artists in residency, 2022 GARDENING Amelisweerd, 2021 ZER0|1NE II MMXXI (IL), 2021 Aiiiii: The Book of Sand (CN), 2021 Fiber Festival (NL), 2021 Terrain Offline (IN)
A randomly selected collector will receive a physical cyanotype of the artwork.
'Hybrid Ecosystems' is an ongoing series of explorations into creating an unveiling of our entangled world. The digital and physical world seems at first glance separate, occupying different layers of reality that seem to reluctantly interact, this is further reinforced through the manner in which digital interfaces are designed. The reality of our mundane life is that these two layers of reality are in fact tightly interwoven, constantly influencing, interacting, shaping & reshaping, consuming and acting. Our inherited bias toward seeing the human-made, or artificial, as different from the natural world further obscures this reality where digital agents (software & hardware) behave and interact as an ecosystem, also with the natural world.