This beautiful piece is one of Mallary's more direct and literal surviving portraits. The subject, an unnamed woman, is depicted staring directly out of the frame and the execution in charcoal is heavy-handed but still quite subtle. Made during a poorly documented sojourn in California following his return from Mexico, this piece occupies an otherwise sparse point in the timeline.
The Lady
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The Lady
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This beautiful piece is one of Mallary's more direct and literal surviving portraits. The subject, an unnamed woman, is depicted staring directly out of the frame and the execution in charcoal is heavy-handed but still quite subtle. Made during a poorly documented sojourn in California following his return from Mexico, this piece occupies an otherwise sparse point in the timeline.