The Second piece in the NOISIΛ series: THE MUSE, explores the idea of the muse as a source of inspiration and how this energy can be both sustaining and draining, suggesting the relationship's intensity and potential dangers.

The emotion of despair in this piece comes from the sense that the muse is being drained of her creative energy by the artist, who takes and takes without ever giving back. The artist takes from the muse without regard for her well-being, leaving her drained and depleted. This depiction invites the viewer to consider how power imbalances and exploitation can be present in artistic relationships and how these imbalances can be harmful and destructive.

The image depicts a woman with her eyes closed, face covered in black corruption, lying fainted in a waste of colors, surrounded by a tombstone serving as a canvas littered with art utensils. The woman's expression conveys a sense of exhaustion and vulnerability, acting as inspiration, consumed by the artist's process and now at the mercy of her surroundings. Furthermore, the black corruption covering her face suggests the potentially destructive and corrupting influence of the creative process and how it can take a toll on her physical and emotional well-being.

The waste surrounding the woman, the tombstone serving as a canvas, and the chaos suggest that the muse must be willing to sacrifice and endure a great deal to fuel and sustain the artist's creative vision.

Overall, Fdk, invites the viewer to consider the role of the muse in the process of creation and the potential for the muse to be both a source of inspiration and a victim of the artist's ego and ambitions.