Mayo Clinic
Art by: Chris Hytha
Story by: Mark Houser
Terracotta nurses survey the prairie from this highrise, revealing its medical mission and paying tribute to the women essential to its success. That includes Edith Graham, the clinic's first professional nurse and wife of Dr. Charles Mayo, who with his brother, Will, oversaw this tower for their family's storied institution.
Their father, William, arrived in town as a government physician to examine Union recruits for the Civil War. Later, when a tornado devastated Rochester in 1883, Mayo cared for victims with the aid of Franciscan nuns. The sisters went on to build a hospital that the doctor and his two sons staffed.
The practice quickly outgrew its first facility, prompting construction of this colorful addition. Great bronze doors open to a flamboyant lobby and oil painting of the brothers, whose offices upstairs are preserved as a museum. A carilloneur — the clinic's fourth since construction — plays daily concerts on the tower bells.
In 1954 the building was named after Dr. Henry Plummer, a thyroid specialist who designed several innovative features of the structure, including an instrument sterilization system. On the facade, a sculpted stone relief portrays Plummer poring over a blueprint. A similar tile commemorating the actual architect, Thomas Ellerbe, was never mounted.
Highrises are the iconic elements of American cities. Reaching radical new heights in technological advancement, skyscrapers fused Classical, Renaissance, and Gothic motifs onto steel and defined a new architectural language with Art Deco and International.
The Highrises project reveals hidden details of remarkable buildings, including many that are underappreciated. The images showcase structures that reflect the values and ideals animating the early 20th century. The stories provide historical context and deepen our understanding of their importance and value.
Highrise #67
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Mayo Clinic
Art by: Chris Hytha
Story by: Mark Houser
Terracotta nurses survey the prairie from this highrise, revealing its medical mission and paying tribute to the women essential to its success. That includes Edith Graham, the clinic's first professional nurse and wife of Dr. Charles Mayo, who with his brother, Will, oversaw this tower for their family's storied institution.
Their father, William, arrived in town as a government physician to examine Union recruits for the Civil War. Later, when a tornado devastated Rochester in 1883, Mayo cared for victims with the aid of Franciscan nuns. The sisters went on to build a hospital that the doctor and his two sons staffed.
The practice quickly outgrew its first facility, prompting construction of this colorful addition. Great bronze doors open to a flamboyant lobby and oil painting of the brothers, whose offices upstairs are preserved as a museum. A carilloneur — the clinic's fourth since construction — plays daily concerts on the tower bells.
In 1954 the building was named after Dr. Henry Plummer, a thyroid specialist who designed several innovative features of the structure, including an instrument sterilization system. On the facade, a sculpted stone relief portrays Plummer poring over a blueprint. A similar tile commemorating the actual architect, Thomas Ellerbe, was never mounted.
Highrises are the iconic elements of American cities. Reaching radical new heights in technological advancement, skyscrapers fused Classical, Renaissance, and Gothic motifs onto steel and defined a new architectural language with Art Deco and International.
The Highrises project reveals hidden details of remarkable buildings, including many that are underappreciated. The images showcase structures that reflect the values and ideals animating the early 20th century. The stories provide historical context and deepen our understanding of their importance and value.