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![](https://i.seadn.io/s/raw/files/5e227d6aaf85b1649c7d61eab6af640f.jpg?auto=format&dpr=1&w=1000)
Oviatt Building
Art by: Chris Hytha
Story by: Mark Houser
James Oviatt worked at Desmond's department store until he and a coworker launched their own menswear and hat shop in 1912. The partner perished from apparent poisoning that baffled physicians nine years later, but the store, Alexander & Oviatt, prospered until its sole remaining proprietor commissioned this new highrise for it, with leasable offices above and a 10-room penthouse for himself.
Oviatt filled the store with imported French fashion — not just the latest suits, but Art Deco glass sculpture and objets d'art by René Lalique. The Parisien artist also supplied a 30-ton glass ceiling to cover the open-air elevator forecourt. Oviatt even had French sand imported to make a beach by his rooftop pool.
At 57, the bachelor clothier was smitten by Mary Richards, a 22-year-old saleswoman, and proposed. They raised a son in the penthouse and spent the rest of their days together. But in his later years, the unabashed haberdasher wrecked his reputation by mailing anti-Semitic screeds to his customers.
The restored penthouse is now a wedding venue with many of its original furnishings. The store has been transformed into a swanky lounge where the orchestra plays Roaring Twenties repertoire. It was also the film location where Julia Roberts learned escargots can be slippery little suckers in "Pretty Woman."
Highrises are the iconic elements of American cities. Reaching radical new heights in technological advancement, skyscrapers fused Classical, Renaissance, and Gothic motifs onto steel and defined a new architectural language with Art Deco and International.
The Highrises project reveals hidden details of remarkable buildings, including many that are underappreciated. The images showcase structures that reflect the values and ideals animating the early 20th century. The stories provide historical context and deepen our understanding of their importance and value.
Highrise #122
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Oviatt Building
Art by: Chris Hytha
Story by: Mark Houser
James Oviatt worked at Desmond's department store until he and a coworker launched their own menswear and hat shop in 1912. The partner perished from apparent poisoning that baffled physicians nine years later, but the store, Alexander & Oviatt, prospered until its sole remaining proprietor commissioned this new highrise for it, with leasable offices above and a 10-room penthouse for himself.
Oviatt filled the store with imported French fashion — not just the latest suits, but Art Deco glass sculpture and objets d'art by René Lalique. The Parisien artist also supplied a 30-ton glass ceiling to cover the open-air elevator forecourt. Oviatt even had French sand imported to make a beach by his rooftop pool.
At 57, the bachelor clothier was smitten by Mary Richards, a 22-year-old saleswoman, and proposed. They raised a son in the penthouse and spent the rest of their days together. But in his later years, the unabashed haberdasher wrecked his reputation by mailing anti-Semitic screeds to his customers.
The restored penthouse is now a wedding venue with many of its original furnishings. The store has been transformed into a swanky lounge where the orchestra plays Roaring Twenties repertoire. It was also the film location where Julia Roberts learned escargots can be slippery little suckers in "Pretty Woman."
Highrises are the iconic elements of American cities. Reaching radical new heights in technological advancement, skyscrapers fused Classical, Renaissance, and Gothic motifs onto steel and defined a new architectural language with Art Deco and International.
The Highrises project reveals hidden details of remarkable buildings, including many that are underappreciated. The images showcase structures that reflect the values and ideals animating the early 20th century. The stories provide historical context and deepen our understanding of their importance and value.