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The Swahili word SAFARI means "journey," and derives from the Arabic SAFAR meaning "trip," "tour," or "travel.

The series SAFAR was made in southern and central Africa during the last decade. Experiencing different cultures and their relationship with the world that surrounds them has been an education in conservation and preservation, politics, economics, and the struggles between manmade and natural disasters.

Along the way, one must learn the linguistic differences between Zulu and Xhosa, Kenyan Swahili and Zanzibari Swahili; use whatever working knowledge can be mustered of French and Portuguese; figuring out the exchange rates between Zambian Kwacha and Tanzanian Shillings; most of all, ignoring fear when flying in two-seat propellor planes, riding in a rundown 4x4 truck, on horseback, or simply walking among wild animals... 

These images were made in South Africa, Namibia, Botswana, Zimbabwe, Zambia, Mozambique, Tanzania, Kenya, Rwanda and Uganda. The intention was to show the historical and cultural relationship between the wild and the domesticated, tradition and progress. They don't show a utopian landscape free of human intervention, but rather a land in conflict with progress. These images are about the clash between tradition and economics. They portray cultures deeply affected by colonialism and corruption, and a resilient environment inhabited by people and animals fighting to survive. There is beauty to be seen, if one pauses for long enough so it can reveal itself.

Quantum Space Exclusives collection image
Category Art
Contract Address0x4b9e...30cd
Token StandardERC-721
ChainEthereum
Creator Earnings
0.5%

Safar #63

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Safar #63

visibility
69 views
  • Price
    USD Price
    Quantity
    Expiration
    From
  • Price
    USD Price
    Quantity
    Floor Difference
    Expiration
    From

The Swahili word SAFARI means "journey," and derives from the Arabic SAFAR meaning "trip," "tour," or "travel.

The series SAFAR was made in southern and central Africa during the last decade. Experiencing different cultures and their relationship with the world that surrounds them has been an education in conservation and preservation, politics, economics, and the struggles between manmade and natural disasters.

Along the way, one must learn the linguistic differences between Zulu and Xhosa, Kenyan Swahili and Zanzibari Swahili; use whatever working knowledge can be mustered of French and Portuguese; figuring out the exchange rates between Zambian Kwacha and Tanzanian Shillings; most of all, ignoring fear when flying in two-seat propellor planes, riding in a rundown 4x4 truck, on horseback, or simply walking among wild animals... 

These images were made in South Africa, Namibia, Botswana, Zimbabwe, Zambia, Mozambique, Tanzania, Kenya, Rwanda and Uganda. The intention was to show the historical and cultural relationship between the wild and the domesticated, tradition and progress. They don't show a utopian landscape free of human intervention, but rather a land in conflict with progress. These images are about the clash between tradition and economics. They portray cultures deeply affected by colonialism and corruption, and a resilient environment inhabited by people and animals fighting to survive. There is beauty to be seen, if one pauses for long enough so it can reveal itself.

Quantum Space Exclusives collection image
Category Art
Contract Address0x4b9e...30cd
Token StandardERC-721
ChainEthereum
Creator Earnings
0.5%
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