'Deep Eating' focuses on radically different actors: a machine in the object recognition deep learning process, and the reference to the resulting judgment to the existing data provided by the Google Books library. If the machine sense does exist, it exists in the useless texts. Encoded with irrelevant illustrations. Divola visualised text, which implemented the western cultural code. Playing the other way round, by verifying a new value of a random choice from the speech abyss, one can believe to penetrate another modality of seeing.
Unique offer of artwork to support the artist-in-residence program AIR InSilo (Lower Austria)
AIR InSilo develops its own emergency program which goal is to host artists in critical life situations, as well as to invite and host artists who had lost their income or who suffer difficult life circumstances due to the crisis. The residency aims to focus its attention on female artists with children, on artists from countries where governments didn’t allocate sufficient support programs, and primarily on the ones who suffer persecution from the home country governments.
Deep Eating
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'Deep Eating' focuses on radically different actors: a machine in the object recognition deep learning process, and the reference to the resulting judgment to the existing data provided by the Google Books library. If the machine sense does exist, it exists in the useless texts. Encoded with irrelevant illustrations. Divola visualised text, which implemented the western cultural code. Playing the other way round, by verifying a new value of a random choice from the speech abyss, one can believe to penetrate another modality of seeing.
Unique offer of artwork to support the artist-in-residence program AIR InSilo (Lower Austria)
AIR InSilo develops its own emergency program which goal is to host artists in critical life situations, as well as to invite and host artists who had lost their income or who suffer difficult life circumstances due to the crisis. The residency aims to focus its attention on female artists with children, on artists from countries where governments didn’t allocate sufficient support programs, and primarily on the ones who suffer persecution from the home country governments.