I remember you - Digital transposition of a work made with the acrylic technique on cardboard. I remember you when leaning against the wall you looked, silently crying and your glasses hiding your eyes. The purchaser will be able to receive a high-definition TIF file that can be printed and used for personal non-commercial use
Copiright © All rigths reserved - LURO Lucio Romagnuolo
An artificial intelligence can only draw on things already known and then repeat them combined in other ways. Human intelligence can tap into creativity and create what is still unknown.
These works were made with the acrylic technique. I work quickly immersing myself in the composition, letting my intuition and feelings guide me. I don't think about what I'm doing, I just do it, I don't talk so as not to disturb the creative hemisphere. I'm not looking for the aesthetic composition, but the mental shift. I start quickly and easily, I intuitively paint the idea of the thing as I think it. So it will be summary without details, it will be only the vague impression of the thing. I proceed in total freedom to define the idea as I bring it to the canvas. It will remain approximate, generic but it gives me the possibility of combining colors and creating a harmonious or, if I want, disharmonious composition.
I remember you
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I remember you
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
I remember you - Digital transposition of a work made with the acrylic technique on cardboard. I remember you when leaning against the wall you looked, silently crying and your glasses hiding your eyes. The purchaser will be able to receive a high-definition TIF file that can be printed and used for personal non-commercial use
Copiright © All rigths reserved - LURO Lucio Romagnuolo
An artificial intelligence can only draw on things already known and then repeat them combined in other ways. Human intelligence can tap into creativity and create what is still unknown.
These works were made with the acrylic technique. I work quickly immersing myself in the composition, letting my intuition and feelings guide me. I don't think about what I'm doing, I just do it, I don't talk so as not to disturb the creative hemisphere. I'm not looking for the aesthetic composition, but the mental shift. I start quickly and easily, I intuitively paint the idea of the thing as I think it. So it will be summary without details, it will be only the vague impression of the thing. I proceed in total freedom to define the idea as I bring it to the canvas. It will remain approximate, generic but it gives me the possibility of combining colors and creating a harmonious or, if I want, disharmonious composition.