Lazlo Lissitsky is a fictional combination of Lazlo Maholy-Nagy and El Lissitsky, also drawing on the art of the Swiss Modern design movement of mid 20th century. This artwork is generated using a very complex series of ranges and number generators with controls, aiming to be able to create through code the sorts fo designs modernists would have made. With each iteration of the program there are new palettes (that may or may not be used) new patterns possible, new shapes and combinations that all strive for a certain kind of synthetic authenticity.
The titles of these works are something of a joke - meant to evoke the very ordinary uses that modernist abstract design ended up being used for. Perhaps this is the dream of the Bauhaus made real - everyday objects having aesthetic value - or maybe it’s a bastardization of art for such common things. Either way, the titles are fictional print materials that Lazlo Lissitsky would have made during his career spanning from 1912-1999.
Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.
Lazlo Lissitsky - Tungsten Refiner’s Union, NE District Union Hall Textile - Essik Conroy, 1972
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Lazlo Lissitsky - Tungsten Refiner’s Union, NE District Union Hall Textile - Essik Conroy, 1972
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
Lazlo Lissitsky is a fictional combination of Lazlo Maholy-Nagy and El Lissitsky, also drawing on the art of the Swiss Modern design movement of mid 20th century. This artwork is generated using a very complex series of ranges and number generators with controls, aiming to be able to create through code the sorts fo designs modernists would have made. With each iteration of the program there are new palettes (that may or may not be used) new patterns possible, new shapes and combinations that all strive for a certain kind of synthetic authenticity.
The titles of these works are something of a joke - meant to evoke the very ordinary uses that modernist abstract design ended up being used for. Perhaps this is the dream of the Bauhaus made real - everyday objects having aesthetic value - or maybe it’s a bastardization of art for such common things. Either way, the titles are fictional print materials that Lazlo Lissitsky would have made during his career spanning from 1912-1999.
Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.
- Sales
- Transfers