Rolo Fernández is interested in telling stories. He is interested in the characters and their "staging." He is interested in conflicts and leaves the viewer the possibility (and the responsibility) to resolve them. The style is, in any case, secondary. The style has to be put according to an expressive need. And yet it is perfectly possible to see clear copyright marks. The artist opts for a determined figuration, which never obscures the metaphor.
Accurate image to understand other universes. With images, he accumulates, he draws cartographies of an island in suspension. He builds them with figurative elements, they are inhabited by hides or fragments of bodies, objects, places, which serve as props for the scenes told. He, needs the image to calm his insatiable pupil, these artworks that are shown are the boat that saves him from being, only, a sleeping island.
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Rolo Fernández is interested in telling stories. He is interested in the characters and their "staging." He is interested in conflicts and leaves the viewer the possibility (and the responsibility) to resolve them. The style is, in any case, secondary. The style has to be put according to an expressive need. And yet it is perfectly possible to see clear copyright marks. The artist opts for a determined figuration, which never obscures the metaphor.
Accurate image to understand other universes. With images, he accumulates, he draws cartographies of an island in suspension. He builds them with figurative elements, they are inhabited by hides or fragments of bodies, objects, places, which serve as props for the scenes told. He, needs the image to calm his insatiable pupil, these artworks that are shown are the boat that saves him from being, only, a sleeping island.