This Issue of the Brooklyn Rail was picked up in 2016 as I showed in the city in a joint exhibit for the first time in Chelsea with the Shirin Gallery. The wound up losing half my art. But I will say more about that later.
Original : BROOKLYN RAIL TAKEOVER TWO ( 2016 COVER ) Acrylic Marker, Wall paint on Brooklyn Rail paper - 2021. NFT Drop to be annonce. @brooklynrail
The challenge to create within restrictions has impacted my production exponentially, leading to the integration of innovative tech solutions within my creative palette while imposed spacial limitations fortified mental projections and the emergence of ethnosemiotic signs organically building on previous post tribal explorations visiting underlying patterns of archaic cultures. The consignment of these visual notes came together under the physical Takeover collection, layered on sketchbooks, cardboard, newspaper and curated magazines pages using acrylic markers and wallpaint. An evolving selection was subsequently augmented into NFT editions using 2D and 3D VR tools (Tilt Brush on the Oculus Headset ). The Takeover Collection will stay as my inaugural NFT collection and is still growing to this day.
Firouz FarmanFarmaian NFTs link the past with the present, the archaic with the innovative, nature with technology.
BROOKLYN RAIL TAKEOVER TWO ( 2016 COVER )
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BROOKLYN RAIL TAKEOVER TWO ( 2016 COVER )
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
This Issue of the Brooklyn Rail was picked up in 2016 as I showed in the city in a joint exhibit for the first time in Chelsea with the Shirin Gallery. The wound up losing half my art. But I will say more about that later.
Original : BROOKLYN RAIL TAKEOVER TWO ( 2016 COVER ) Acrylic Marker, Wall paint on Brooklyn Rail paper - 2021. NFT Drop to be annonce. @brooklynrail
The challenge to create within restrictions has impacted my production exponentially, leading to the integration of innovative tech solutions within my creative palette while imposed spacial limitations fortified mental projections and the emergence of ethnosemiotic signs organically building on previous post tribal explorations visiting underlying patterns of archaic cultures. The consignment of these visual notes came together under the physical Takeover collection, layered on sketchbooks, cardboard, newspaper and curated magazines pages using acrylic markers and wallpaint. An evolving selection was subsequently augmented into NFT editions using 2D and 3D VR tools (Tilt Brush on the Oculus Headset ). The Takeover Collection will stay as my inaugural NFT collection and is still growing to this day.
Firouz FarmanFarmaian NFTs link the past with the present, the archaic with the innovative, nature with technology.