Liliana Gálvez Heras (Mexico City, 1981) takes advantage every year that the arrival of the hurricane season in Mexico gives artists the opportunity to discover landscapes, climatologies and luminous effects that do not occur during the rest of the year. In the painting we can distinguish some figurative elements, a blue car with red lights on, the tropical white sky of Mexico City and some small buildings that flank the narrow street, the water on the windshield through which we contemplate the scene introduces us into the world of dreams, reminds us of the fragility with which our reality is built and how with just a layer of water our world changes into a liquid abstraction, a fleeting reality on the way between the world of wakefulness and dreams. "Karl en Domingo" belongs to a collection of oil on wood photographs entitled "It's hurricane season". Unlocked image is a JPG file to 3543x2835 pixels
Karl en Domingo
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Karl en Domingo
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Liliana Gálvez Heras (Mexico City, 1981) takes advantage every year that the arrival of the hurricane season in Mexico gives artists the opportunity to discover landscapes, climatologies and luminous effects that do not occur during the rest of the year. In the painting we can distinguish some figurative elements, a blue car with red lights on, the tropical white sky of Mexico City and some small buildings that flank the narrow street, the water on the windshield through which we contemplate the scene introduces us into the world of dreams, reminds us of the fragility with which our reality is built and how with just a layer of water our world changes into a liquid abstraction, a fleeting reality on the way between the world of wakefulness and dreams. "Karl en Domingo" belongs to a collection of oil on wood photographs entitled "It's hurricane season". Unlocked image is a JPG file to 3543x2835 pixels