Acai Man was inspired by an Amazonian Worker carrying sacks of acai berries at the shore of the Amazon River, in Brazil. The buyer will receive the one-of-a-kind artwork on canvas size 30"x40"
By opposing abstraction versus realism in the universe of my art, I try to show how opposite views interact. I either start a completely abstract approach, then, work towards making certain elements resemble recognizable objects, events, or living being or I start from the opposite direction: I create a very realistic image, then, I abstract it. There aren’t any extra layers. The apparent texture of the final work is an illusion achieved with the use of light and dark. In my digital artworks, I use virtual brushes. I don't use any special effect tools such as filters, glow, or shadows. From time to time, I add an illusion of texture which I, then, distort/enhance, whichever I choose to do at that time. Whether I am painting with oils or using the computer, my style is the same. I am still opposing abstraction and realism as the coexistence of opposite views; I continue placing the main subject within and mixed with the background, instead of in front of it.
Acai Man
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Acai Man
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
Acai Man was inspired by an Amazonian Worker carrying sacks of acai berries at the shore of the Amazon River, in Brazil. The buyer will receive the one-of-a-kind artwork on canvas size 30"x40"
By opposing abstraction versus realism in the universe of my art, I try to show how opposite views interact. I either start a completely abstract approach, then, work towards making certain elements resemble recognizable objects, events, or living being or I start from the opposite direction: I create a very realistic image, then, I abstract it. There aren’t any extra layers. The apparent texture of the final work is an illusion achieved with the use of light and dark. In my digital artworks, I use virtual brushes. I don't use any special effect tools such as filters, glow, or shadows. From time to time, I add an illusion of texture which I, then, distort/enhance, whichever I choose to do at that time. Whether I am painting with oils or using the computer, my style is the same. I am still opposing abstraction and realism as the coexistence of opposite views; I continue placing the main subject within and mixed with the background, instead of in front of it.