7
By der_greif
By der_greif
Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically. Shaking off what was, and embracing what will be, is necessary.
A call for submissions was held and three artists were chosen to drop their collections. Marcin T. Jozefiak, Julia Kafizova, and Margaret Murphy.
I Could Look at You All Day by Margaret Murphy consists of self-portraits made in Murphy’s home. The pictures visualize her interest in self-perception, consider the male gaze and play amongst social media’s influence on contemporary photography.
Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically. Shaking off what was, and embracing what will be, is necessary.
A call for submissions was held and three artists were chosen to drop their collections. Marcin T. Jozefiak, Julia Kafizova, and Margaret Murphy.
In Fearless Flowers, NOT FOR EVERYONE - Volume 2
Marcin T. Jozefiak explores gender, sexuality, gaze, and identity in South Korea. Not interested in nudity for nudity's sake, the photographer strives to present sitters as self secure. Adorned with flowers, the human body represents a universal innocence, timelessness, and purity.
TMRW (Tomorrow) - WTF Am I Even Doing
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TMRW (Tomorrow) - WTF Am I Even Doing
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rrcllctr.eth
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By der_greif
By der_greif
Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically. Shaking off what was, and embracing what will be, is necessary.
A call for submissions was held and three artists were chosen to drop their collections. Marcin T. Jozefiak, Julia Kafizova, and Margaret Murphy.
I Could Look at You All Day by Margaret Murphy consists of self-portraits made in Murphy’s home. The pictures visualize her interest in self-perception, consider the male gaze and play amongst social media’s influence on contemporary photography.
Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically. Shaking off what was, and embracing what will be, is necessary.
A call for submissions was held and three artists were chosen to drop their collections. Marcin T. Jozefiak, Julia Kafizova, and Margaret Murphy.
In Fearless Flowers, NOT FOR EVERYONE - Volume 2
Marcin T. Jozefiak explores gender, sexuality, gaze, and identity in South Korea. Not interested in nudity for nudity's sake, the photographer strives to present sitters as self secure. Adorned with flowers, the human body represents a universal innocence, timelessness, and purity.
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