Each piece in the collage is manipulated using handmade filters that I created through maximising aperture settings on the iPhone and then holding them close to different objects under specific lighting conditions. I then assemble them all as pieces in the landscape, to make this one specifically look like Monet's "Seagulls, the River Thames and the Houses of Parliament," painted in 1904.
A Bridge That Is Not There (After Monet)
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A Bridge That Is Not There (After Monet)
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Each piece in the collage is manipulated using handmade filters that I created through maximising aperture settings on the iPhone and then holding them close to different objects under specific lighting conditions. I then assemble them all as pieces in the landscape, to make this one specifically look like Monet's "Seagulls, the River Thames and the Houses of Parliament," painted in 1904.