It has long started. Morphing passes unnoticed before our eyes. The fever dream is decomposing. Rotten bodies are robbed out of their gifts. There is one last ride to the train station. Dunes scrape the horizon as the wagon reaches the end of the line. Rubble over the desert. Still pumping the carbon print. The only true belief is the spine we carry on our backs.
'Enjoy What's Left' is an audiovisual composition where we aim to combine creation processes driven by intuition, science fiction imagery, and possible near futures. The story is set in a world adjacent to the real world, where mysterious entities visit the earth to study it and exert a form of energy-magic power, leaving their mark on it. The plot combines epic storytelling imagery and abstract arguments, thanks to the creative freedom that 3D design allows. Through various rhythms and emotional resources, it projects a recollection of events to come for our civilization, based on emotions, strangeness, and spectacle, abandoning the traditional rationalization of history.
Chapter VII - Giants
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Chapter VII - Giants
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It has long started. Morphing passes unnoticed before our eyes. The fever dream is decomposing. Rotten bodies are robbed out of their gifts. There is one last ride to the train station. Dunes scrape the horizon as the wagon reaches the end of the line. Rubble over the desert. Still pumping the carbon print. The only true belief is the spine we carry on our backs.
'Enjoy What's Left' is an audiovisual composition where we aim to combine creation processes driven by intuition, science fiction imagery, and possible near futures. The story is set in a world adjacent to the real world, where mysterious entities visit the earth to study it and exert a form of energy-magic power, leaving their mark on it. The plot combines epic storytelling imagery and abstract arguments, thanks to the creative freedom that 3D design allows. Through various rhythms and emotional resources, it projects a recollection of events to come for our civilization, based on emotions, strangeness, and spectacle, abandoning the traditional rationalization of history.