It’s an orchestral piece with a soft spot for borrowed chords and oblique harmonic modulations. It revolves around a piano theme that is gradually embedded within layers of strings and horns. The piano shows a sequence of false starts, dwelling on a wrong chord at the end of its mini phrases. After an off-key progression, it paves the way to the entrance of the main theme on another key. With a waltz cadenza à la loving couple strolling on the side-walk, the theme gets through a series of modulations, eventually landing on a borrowed chord that gives a sense of non-resolution to it. Music slows down with an unannounced off-key chord sequence and waits for the Coda to come. The strings section and the piano, drawing an X-figure scale, walk us to the new key. Here the main theme is played only once with a light enrichment of a horn section. A gentle snare roll cuts music off.

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