The Project ‘portraits without apparent faces’ is meant to be a work in progress. I never had the intention to paint physiognomic portraits. My idea was to change the concept of the traditional portrait in which the face and the expression are the protagonists and this is why it started this transformation towards a more ‘typological’ portrait in which the details, the clothes and the objects that relate with the person and his body are the features that permit us to understand the story and the social class of the portrayed subject. ‘Portraits without apparent faces’ is a series that reflects a personal vision of some important contemporary themes. According to me it represents a sum of questions and problems about the coexistence of different ways of interacting in between humans. What can be seen as scandalous for someone maybe it is not for others. The sublime and the ridiculous, the solemn and the laughable, the violent and the exquisite come together in time and space.