![](https://i.seadn.io/s/raw/files/282fbdad1d2f776b133f58e35dc8f68c.gif?auto=format&dpr=1&w=1000)
![](https://i.seadn.io/s/raw/files/282fbdad1d2f776b133f58e35dc8f68c.gif?auto=format&dpr=1&w=1000)
From a mutating series of descriptive artwork mutations based on Tatedata
References
prints after William Hogarth: Four Prints of an Election, plate 2: Canvassing for Votes, engraved by Charles Grignion (1757)
Henry Moore OM, CH: Woman Putting on Stocking I (1979)
Joseph Mallord William Turner: Ruins (1828)
George Jones: [title not known] (1786)
As mutated - A mutating series of descriptive artwork mutations based on Tatedata
A series of generative, descriptive artworks based on data from Tate Modern artworks, these are then uses as descriptions to generate new, mutated artworks, often displaying the process of mutation in the artworks themselves, based on searching internet images related to the descriptions.
The title of the work is used for generating a mutated work from the visual elements it finds on the net.
The mutation process therefore takes place in several stages, 1) how the purely descriptive artworks are mutations of the original dataset, 2) how the new images are mutations of the originals from where their descriptions were taken, 3) how these new images are processed and often displayed as mutation processes, 4) how the user can transform further the generated image by drawing directly on it, and 5) how the application mutates itself based on positive user feedback (by saving the image).
Townscape bending forward public service back
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Townscape bending forward public service back
![](https://i.seadn.io/s/raw/files/282fbdad1d2f776b133f58e35dc8f68c.gif?auto=format&dpr=1&w=1000)
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
From a mutating series of descriptive artwork mutations based on Tatedata
References
prints after William Hogarth: Four Prints of an Election, plate 2: Canvassing for Votes, engraved by Charles Grignion (1757)
Henry Moore OM, CH: Woman Putting on Stocking I (1979)
Joseph Mallord William Turner: Ruins (1828)
George Jones: [title not known] (1786)
As mutated - A mutating series of descriptive artwork mutations based on Tatedata
A series of generative, descriptive artworks based on data from Tate Modern artworks, these are then uses as descriptions to generate new, mutated artworks, often displaying the process of mutation in the artworks themselves, based on searching internet images related to the descriptions.
The title of the work is used for generating a mutated work from the visual elements it finds on the net.
The mutation process therefore takes place in several stages, 1) how the purely descriptive artworks are mutations of the original dataset, 2) how the new images are mutations of the originals from where their descriptions were taken, 3) how these new images are processed and often displayed as mutation processes, 4) how the user can transform further the generated image by drawing directly on it, and 5) how the application mutates itself based on positive user feedback (by saving the image).