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BALENCIAGA NEO CLASSIC CITY VR TAKEOVER ZERO ONE
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I have not had full access to my physical workshop for a year due to repeated Lockdowns. The challenge to create within restrictions has made me work at home in an exponential way and as a result my production and practice have adapted and have organically grown towards unsuspected directions. Less interaction with physical objects due to spacial limitations have fortified and strengthened my mental projections and as a result I have mostly been consigning ideas and forms I call TAKEOVERS on A3-A4 sketchbooks, recycled cardboard, newspapers and fashion + art magazines using acrylic markers and wallpaint. Have been publishing result as physical art on IG and on websites first then went on augmenting the work via digital tools and experimental VR apps such as Tilt Brush on the Oculus Quest 2 Headset, dropping those as an NFT collection on Opensea. The Takeover Collection is my most important NFT collection to date and is still growing.

vertical_splitAbout Firouz FarmanFarmaian Takeover Collectionexpand_more

I have not had full access to my physical workshop for a year due to repeated Lockdowns. The challenge to create within restrictions has made me work at home in an exponential way and as a result my production and practice have adapted and have organically grown towards unsuspected directions. Less interaction with physical objects due to spacial limitations have fortified and strengthened my mental projections and as a result I have mostly been consigning ideas and forms I call TAKEOVERS on A3-A4 sketchbooks, recycled cardboard, newspapers and fashion + art magazines using acrylic markers and wallpaint. Have been publishing result as physical art on IG and on websites first then went on augmenting the work via digital tools and experimental VR apps such as Tilt Brush on the Oculus Quest 2 Headset, dropping those as an NFT collection on Opensea. The Takeover Collection is my most important NFT collection to date and is still growing.

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