The etymology of FASCINASIA originates from Daniel Stanford’s reflections on his own influences and explores the fascination we have with Asian culture, both modern and ancient. The Collection explores the symbols of the sacred, juxtaposed with icons of modern society. It is this visual reincarnation that appeals to the inner vibration of soul consciousness. Stanford attempts to express and illustrate a vision with alternative mythological figures of inner beauty expressed outwardly in what has been described as a perfect storm of content and intent, reflecting back images of both the beauty and decadence of modern society with a contemporary vision. The distinctive mixed media paintings are meticulously crafted out of Feng Shui elements and materials. An East meets West energy, where the use of archival materials reflects the sequence of the five elements - wood gives rise to fire, fire produces earth, earth gives birth to gold, gold creates water, water makes wood.