Aaron C Packard (ArnyPop) uses only original imagery in the creation of his Hyper-Photomontage creations. The original of “The Chicken Hunter," is a 5292x9448 pixel tiff file. A memory is a measurement of time and the inevitable abstractions through such a measure amplifies a resonant noise of overlapping moments. “The Chicken Hunter,” from the body of work “Networks of Noise” attempts to represent the transition of memory, from thought to thought, and investigates an abstraction of the image by deconstruction through addition–a kind of hyper-photomontage. This hyper-photomontage, perhaps in both the idea of the gaze within, the gaze created by, and the gaze of the image itself is an overt exaggeration of complexity of information, of interference, and of noise created within this intersection and interplay of image, of memory, and of prophesy.
The Chicken Hunter
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Aaron C Packard (ArnyPop) uses only original imagery in the creation of his Hyper-Photomontage creations. The original of “The Chicken Hunter," is a 5292x9448 pixel tiff file. A memory is a measurement of time and the inevitable abstractions through such a measure amplifies a resonant noise of overlapping moments. “The Chicken Hunter,” from the body of work “Networks of Noise” attempts to represent the transition of memory, from thought to thought, and investigates an abstraction of the image by deconstruction through addition–a kind of hyper-photomontage. This hyper-photomontage, perhaps in both the idea of the gaze within, the gaze created by, and the gaze of the image itself is an overt exaggeration of complexity of information, of interference, and of noise created within this intersection and interplay of image, of memory, and of prophesy.