“Liberte, Egalite, Fraternite” is NPAAW’s (Bali, b. 1990) second NFT based on a physical painting titled the same (100 x 140 cm, acrylic on canvas, 2021).
This NFT portrays Napoleon Bonaparte’s way of conquering against absolute kingdoms; symbol of a conqueror. The horse is his power, and with its many legs and extended body, symbolises how much power he has in succeeding it. These two different symbols show similarities on how we have evolved in our behaviour of reaching power.
KAF collaborated with NPAAW to bring his paintings to life through animation graphics, and to mint them as digital assets.
NPAAW is a young Balinese artist who believes that his artworks reflect his view, experience and sensitivity toward various issues. He translates his views in such genuine expression; being brought up in traditional upbringing, and growing in the modern era. He did not feel the obligation to portray traditional Balinese figures in his works, yet NPAAW expressed his views and beliefs as a Balinese.
Liberte, Egalite, Fraternite.
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Liberte, Egalite, Fraternite.
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
“Liberte, Egalite, Fraternite” is NPAAW’s (Bali, b. 1990) second NFT based on a physical painting titled the same (100 x 140 cm, acrylic on canvas, 2021).
This NFT portrays Napoleon Bonaparte’s way of conquering against absolute kingdoms; symbol of a conqueror. The horse is his power, and with its many legs and extended body, symbolises how much power he has in succeeding it. These two different symbols show similarities on how we have evolved in our behaviour of reaching power.
KAF collaborated with NPAAW to bring his paintings to life through animation graphics, and to mint them as digital assets.
NPAAW is a young Balinese artist who believes that his artworks reflect his view, experience and sensitivity toward various issues. He translates his views in such genuine expression; being brought up in traditional upbringing, and growing in the modern era. He did not feel the obligation to portray traditional Balinese figures in his works, yet NPAAW expressed his views and beliefs as a Balinese.