'The Landscape' explores a modern disconnection to the environment and the process of image-making in a selfie age. My own body (in character) and the landscape fight for the spotlight through several playful failed attempts to capture both concurrently. My art contends with perception dissonance resulting from widespread information technology, namely surveillance cameras, drones, social media, ‘smart’ phones, and facial recognition software. I use an array of digital mediums to explore how technology has not only enhanced “visibility” but also fostered the invisible nature of worlds within our own, and how high-resolution surveillance has distorted our collective focus on urban and ecological environs. Though seemingly digitally fabricated, my images are entirely created in camera and through sets. I use Photoshop only to combine the “characters” in these worlds, most of which I perform.