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2 926,83 $
Bio
I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.
Tustont

Tustont

Ethereum
3
oct. 2025
Art
Ethereum
3
A lancé oct. 2025
Art
Prix plancher
—
1er étage %—
Meilleure offre
0,001 WETH
Volume 24 h0,00 ETH
Volume total0,00 ETH
listée0 %
Propriétaires (uniques)3 (100 %)

Tustont
Tustont

Ethereum
3
oct. 2025
Art
Ethereum
3
A lancé oct. 2025
Art
Éléments
Offres
Détenteurs
Attributs
Activité
À propos

Tustont

Ethereum
3
oct. 2025
Art
Ethereum
3
A lancé oct. 2025
Art
Prix plancher
—
1er étage %—
Meilleure offre
0,001 WETH
Volume 24 h0,00 ETH
Volume total0,00 ETH
listée0 %
Propriétaires (uniques)3 (100 %)

Tustont
Tustont

Ethereum
3
oct. 2025
Art
Ethereum
3
A lancé oct. 2025
Art
Éléments
Offres
Détenteurs
Attributs
Activité
À propos
Bio
I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.
Tustont
Bio
I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.
Tustont