"Finger Puppets" is another massive undertaking by the Orangehare In-House Production crew that begins with a series of composite works on paper. From there, the portraits evolve: layered with acrylic, tweaked with AI, and fused with hand-painted works by Chae Tongyull. The result is a 79-piece collection that spans five distinct categories but always returns to a shared base-layer: face forward, hands raised. In doing so, this drop follows in the footsteps of "Recognition Layering" and "Face Value," but here the hand itself becomes the story. Is the technology in control, or the hand of the artist? Is the puppet master really in control, or does the puppet have a life of its own?
