2
创作者 A8A804
创作者 A8A804
Force Multipliers by Futura 2000 & 13thWitness. This work has been registered on the digital copyright registration platform CXIP. CXIP is the world's first protocol to register NFTs with the copyright office and certify authenticity. CXIP protects artwork and creates a premium certified NFT collectible that collector's can feel safe buying.
Artist FUTURA2000—most commonly known as a pioneer in New York’s “Subway School” of Graffiti, and as a forefather of global streetwear—has an almost three-decade career as an early mover in another genre of creativity: Digital Art. Inspired by seminal life events such as his seeing responsive HUD displays on fighter jets while serving in the US Navy, to ingesting the dense compositional architecture and technological overlays of Stanley Kubrick’s "2OO1: A Space Odyssey” in 1968, Futura’s mind has always had a driving undercurrent from “The Grid.” Now, in 2021, the creation, distribution, and transaction of art on a digital platform is simultaneously welcomed—as it is perhaps overdue, unique to him.
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Force Multipliers #246/247
拥有者
Dorkholm
2
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32 查看- 价格美元价格数量到期自
- 价格美元价格数量地板价差异到期自
创作者 A8A804
创作者 A8A804
Force Multipliers by Futura 2000 & 13thWitness. This work has been registered on the digital copyright registration platform CXIP. CXIP is the world's first protocol to register NFTs with the copyright office and certify authenticity. CXIP protects artwork and creates a premium certified NFT collectible that collector's can feel safe buying.
Artist FUTURA2000—most commonly known as a pioneer in New York’s “Subway School” of Graffiti, and as a forefather of global streetwear—has an almost three-decade career as an early mover in another genre of creativity: Digital Art. Inspired by seminal life events such as his seeing responsive HUD displays on fighter jets while serving in the US Navy, to ingesting the dense compositional architecture and technological overlays of Stanley Kubrick’s "2OO1: A Space Odyssey” in 1968, Futura’s mind has always had a driving undercurrent from “The Grid.” Now, in 2021, the creation, distribution, and transaction of art on a digital platform is simultaneously welcomed—as it is perhaps overdue, unique to him.
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