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Man runs across street, NYC, 1965
Once again in Paris, 1967. A number of people walk solemnly in the background. In the foreground, a man runs across a New York street with his hands in his pocket. I captured him midair, giving him an almost weightless appearance – like a floating capitalist. This juxtaposition worked seamlessly with the Romania photograph.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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Sequels #121
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Man runs across street, NYC, 1965
Once again in Paris, 1967. A number of people walk solemnly in the background. In the foreground, a man runs across a New York street with his hands in his pocket. I captured him midair, giving him an almost weightless appearance – like a floating capitalist. This juxtaposition worked seamlessly with the Romania photograph.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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