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People leaving train carriages, Romainia, 1967
Depicts people disembarking from a train in Romania, circa 1967. Struck by the quiet and solemn manner in which they left the train, I noted the absence of a station. The train was halted in the middle of nowhere, mirroring my own whereabouts at the time. People alighted, walked down the embankment, and headed home.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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Sequels #120
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People leaving train carriages, Romainia, 1967
Depicts people disembarking from a train in Romania, circa 1967. Struck by the quiet and solemn manner in which they left the train, I noted the absence of a station. The train was halted in the middle of nowhere, mirroring my own whereabouts at the time. People alighted, walked down the embankment, and headed home.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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