LAUGHING GAS CHARLIE - The Pentland Experiment
Ultra-Rare Edition of 1
Original file size
Photoshop PNG 49 MB
Dimensions 7087 px 4725 px
The Pentland Experiment is an on-going project which depicts an alternative reality on the outskirts of Edinburgh. Using electronic techniques, which converge the digital and physical, Harman creates abstracted motifs within sparse landscapes. Figures and structures are deliberately burred from the viewer in these highly staged algorithmic compositions. Within the corruption of the digital, there is a break up of information, which leaves the viewer flickering between abstraction and figurationThe Pentland Experiment is an on-going project which depicts an alternative reality on the outskirts of Edinburgh. Using electronic techniques, which converge the digital and physical, Harman creates abstracted motifs within sparse landscapes. Figures and structures are deliberately burred from the viewer in these highly staged algorithmic compositions. Within the corruption of the digital, there is a break up of information, which leaves the viewer flickering between abstraction and figuration
LAUGHING GAS CHARLIE
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LAUGHING GAS CHARLIE - The Pentland Experiment
Ultra-Rare Edition of 1
Original file size
Photoshop PNG 49 MB
Dimensions 7087 px 4725 px
The Pentland Experiment is an on-going project which depicts an alternative reality on the outskirts of Edinburgh. Using electronic techniques, which converge the digital and physical, Harman creates abstracted motifs within sparse landscapes. Figures and structures are deliberately burred from the viewer in these highly staged algorithmic compositions. Within the corruption of the digital, there is a break up of information, which leaves the viewer flickering between abstraction and figurationThe Pentland Experiment is an on-going project which depicts an alternative reality on the outskirts of Edinburgh. Using electronic techniques, which converge the digital and physical, Harman creates abstracted motifs within sparse landscapes. Figures and structures are deliberately burred from the viewer in these highly staged algorithmic compositions. Within the corruption of the digital, there is a break up of information, which leaves the viewer flickering between abstraction and figuration