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创作者 MA2-DigitalLab
创作者 MA2-DigitalLab
Future Vehicles Part I
This is a study of composite structures and new aesthetic formations using artificial intelligence. The purpose is to envision new means of transportation using the current and developing methods of drone technology. New aircraft design and land transportation is taking on new paths using cameras, satellites, and AI for self-driving and navigation. With this new fusion of diverse arrangements, engineered configurations for maneuvers and accelerated speeds are altering chassis to enhance potentials and create diverse aesthetics compositions.
Land vehicles and super car design is also able to have larger or more compact spatial arrangements due to the self-driving capabilities. This ability of self-navigation allows for relaxed seating when traveling at high speeds. There is even potential for high-speed robotic vehicles, robotics vehicles for diverse forms of construction, racing, and military expertise. The newly aided imagination and visualization of AI is influencing new visions based on current paradigms.
Aircraft and drones are also taking on new forms and aesthetics shifts ranging from stealth configurations to more exuberant forms of expression. The current study is in drone, helicopter, and single aircraft bikes. The aesthetics composed by artificial intelligence is unique as it generates impressions of functional components and aerodynamic bodies, shells, and composites. These new interpretations as impressions and configurations aid in the stylization of form and performance. By AI providing this capability to designers, new visions and prototypes emerge for the future.
The series of photographic manipulations are a desire to re-imagine city and tectonic landscapes through kaleidoscopic filters to manifest a new logic of cityscapes. Building mass, light, shadow, and landscape trajectories are transformed by mirror effects to create another experience of interpretation. Cities that fold, float, bundle, or become vertical horizons bring an imaginative and tectonic shift from the ordinary. This shift from ordinary readings of the familiar help organize a manifestation of latent potentials in symmetry, perspective, and cinematic image. Although these elements have been explored in cinema, an alternative series of photographic stills can allude to future sequencing of events through the tectonic reading of the image. This affects the material quality, light reflection, and redirects street elements as architectural notation. The sky and artificial light merge as a gradient effect of spectacle and dreamscape orchestration.
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Future Vehicle
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创作者 MA2-DigitalLab
创作者 MA2-DigitalLab
Future Vehicles Part I
This is a study of composite structures and new aesthetic formations using artificial intelligence. The purpose is to envision new means of transportation using the current and developing methods of drone technology. New aircraft design and land transportation is taking on new paths using cameras, satellites, and AI for self-driving and navigation. With this new fusion of diverse arrangements, engineered configurations for maneuvers and accelerated speeds are altering chassis to enhance potentials and create diverse aesthetics compositions.
Land vehicles and super car design is also able to have larger or more compact spatial arrangements due to the self-driving capabilities. This ability of self-navigation allows for relaxed seating when traveling at high speeds. There is even potential for high-speed robotic vehicles, robotics vehicles for diverse forms of construction, racing, and military expertise. The newly aided imagination and visualization of AI is influencing new visions based on current paradigms.
Aircraft and drones are also taking on new forms and aesthetics shifts ranging from stealth configurations to more exuberant forms of expression. The current study is in drone, helicopter, and single aircraft bikes. The aesthetics composed by artificial intelligence is unique as it generates impressions of functional components and aerodynamic bodies, shells, and composites. These new interpretations as impressions and configurations aid in the stylization of form and performance. By AI providing this capability to designers, new visions and prototypes emerge for the future.
The series of photographic manipulations are a desire to re-imagine city and tectonic landscapes through kaleidoscopic filters to manifest a new logic of cityscapes. Building mass, light, shadow, and landscape trajectories are transformed by mirror effects to create another experience of interpretation. Cities that fold, float, bundle, or become vertical horizons bring an imaginative and tectonic shift from the ordinary. This shift from ordinary readings of the familiar help organize a manifestation of latent potentials in symmetry, perspective, and cinematic image. Although these elements have been explored in cinema, an alternative series of photographic stills can allude to future sequencing of events through the tectonic reading of the image. This affects the material quality, light reflection, and redirects street elements as architectural notation. The sky and artificial light merge as a gradient effect of spectacle and dreamscape orchestration.
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