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StandArt is not just a regular album that has a moving love story included. This album is an experience to be lived by the brave ones who prefer independent electronic experimentation. Upcoming producer Vecera is an exquisite find, as his music is an ongoing experimentation with boundaries and rules in the music. This particular album was liberating for Vecera, as it allowed the producer to expand his boundaries of producing farther than ever envisioned.

One of the most fascinating aspects of the album is how ideas for each song came to Vecera. For example, Sensus has a sound foundation of a video recorded in New York. The recording showed a contradicting parallel of firefighters driving through a BBQ restaurant with a fire image on the wall. Two completely unrelated events are somehow connected by the unconscious. As the two tracks in the piece, one loops the firefighters and bass line, another BBQ place and higher register. The audio recording of 8 seconds was stretched into 8 minutes. The lengthened sound was the base for the main composition. A dissimilar example could be Square Down L2 Up L1 Circle Up X Left. It was created as a musical representation for a painting found in The Museum of Modern Art in New York. All of the colours, lines, textures were transformed into a cracking, modern sound.

And it’s not just these tracks that have a history of being designed differently. The base loop of the Metropolitan was recorded during a gig in Vilnius, Lithuania, saying - all of you, play something (originally in Lithuanian - kazka visi pagrokit). Deformed Tibetians was created using only the Tibetian bowl and Ableton to stretch, loop and manipulate the sound. Caterva Pecus in Latin means - a flock of animals. Those animals in the piece are 18 tracks clarinet recorded on the phone by Haroldas Parulis and transferred into a coherent sound design. According to Vecera, this track sketched the connected consciousness of the flock of birds flying together to any destination.

The visual side of this project was executed by extraordinary artists. Irma Ignatavičiūtė is a known cover art creator in Lithuania. On this project, she created the cover art for the album. Simas Pinkoraitis, an upcoming 3D visual artist, created 3D video visualisations for the StandArt album.

Full of mystery and unconventional concepts StandArt is about to put anyone open-minded into a journey consisting of complex realisations. Hopefully, the album will encourage other creators to get out of any potential creative limit and imagine freely.

"StandArt" ALBUM collection image
合约地址0x495f...7b5e
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代币标准ERC-1155
Ethereum
元数据中心化
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StandArt

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StandArt

view_module
5 项目
visibility
27 查看
  • 单价
    美元单价
    数量
    到期
  • 单价
    美元单价
    数量
    地板价差异
    到期

StandArt is not just a regular album that has a moving love story included. This album is an experience to be lived by the brave ones who prefer independent electronic experimentation. Upcoming producer Vecera is an exquisite find, as his music is an ongoing experimentation with boundaries and rules in the music. This particular album was liberating for Vecera, as it allowed the producer to expand his boundaries of producing farther than ever envisioned.

One of the most fascinating aspects of the album is how ideas for each song came to Vecera. For example, Sensus has a sound foundation of a video recorded in New York. The recording showed a contradicting parallel of firefighters driving through a BBQ restaurant with a fire image on the wall. Two completely unrelated events are somehow connected by the unconscious. As the two tracks in the piece, one loops the firefighters and bass line, another BBQ place and higher register. The audio recording of 8 seconds was stretched into 8 minutes. The lengthened sound was the base for the main composition. A dissimilar example could be Square Down L2 Up L1 Circle Up X Left. It was created as a musical representation for a painting found in The Museum of Modern Art in New York. All of the colours, lines, textures were transformed into a cracking, modern sound.

And it’s not just these tracks that have a history of being designed differently. The base loop of the Metropolitan was recorded during a gig in Vilnius, Lithuania, saying - all of you, play something (originally in Lithuanian - kazka visi pagrokit). Deformed Tibetians was created using only the Tibetian bowl and Ableton to stretch, loop and manipulate the sound. Caterva Pecus in Latin means - a flock of animals. Those animals in the piece are 18 tracks clarinet recorded on the phone by Haroldas Parulis and transferred into a coherent sound design. According to Vecera, this track sketched the connected consciousness of the flock of birds flying together to any destination.

The visual side of this project was executed by extraordinary artists. Irma Ignatavičiūtė is a known cover art creator in Lithuania. On this project, she created the cover art for the album. Simas Pinkoraitis, an upcoming 3D visual artist, created 3D video visualisations for the StandArt album.

Full of mystery and unconventional concepts StandArt is about to put anyone open-minded into a journey consisting of complex realisations. Hopefully, the album will encourage other creators to get out of any potential creative limit and imagine freely.

"StandArt" ALBUM collection image
合约地址0x495f...7b5e
代币ID
代币标准ERC-1155
Ethereum
元数据中心化
创作者收益
0%
keyboard_arrow_down
事件
单价
数量
日期