lock
0
创作者 Wayne-Anthony
创作者 Wayne-Anthony
The government, media and its agencies declared war on youth culture. As British youth discover themselves on warehouse dance-floors, the nation’s media prepared to destroy the emerging new culture. Event promoters are branded Mr Big’s, so called ravers are considered undesirable and the biggest campaign we’d seen since the miners strike was unleashed on the United Kingdom. Nowhere was this more apparent than national media outlets. Sensensationalised headlines dominated news print media for two years. Headlines engineered to manipulate public opinion by presenting Acid House as a national threat to young people. Wayne Anthony complied three hundred original newspaper headlines published between 1988 and 1990.
Only First Buyers Receive Silkscreen Print | All Buyers: Unlockable Printable...
Silkscreen Print Details
Title: Frequency of Sound 1988 | Artist: Wayne Anthony | Limited Edition: 88 Prints | Each Piece Signed & Numbered: Pencil - Yes | Production Method: Silkscreen Printing | Size: 63 cm x 63 cm | Paper Thickness: 570 gsm | Canvas Front: Black | Hacienda Factory Yellow | Canvas Reverse: Hacienda Factory Yellow | Frame: All Frames | Float Mount Recommended
This rare collection symbolises one of the most uplifting periods in British history. Acid House was born in Chicago and raised in Europe. The impact was so great it triggered the biggest subcultural shift since Punk Rock. The Second Summer of Love in 1988 was soundtracked by electronic dance music and the banned drug MDMA. Great Britain and the rest of Europe is transformed overnight. This is the launching point for international rave culture. In 1988 Wayne Anthony co-founded Genesis’88 and staged some of the biggest illegal warehouse parties in British history. He later penned cult status book Class of 88 (Virgin Books 1998, 2018). Wayne is mentioned in over sixty published books and interviewed in dozens of documentaries screened on national and global TV networks. Wayne Anthony’s journey as a creative began in 1988 and culminates with the Only Love Conquers Hate Collection. Three unique NFTs (NonFungible Tokens) document the chronology of Acid House and formation of global rave c
Assassination of Youth Culture 1988 | Acid House 103
89 拥有者
Wayne-Anthony
view_module
89 项目visibility
27 查看- 单价美元单价数量到期自
- 单价美元单价数量地板价差异到期自
keyboard_arrow_down
事件
单价
数量
自
至
日期
Assassination of Youth Culture 1988 | Acid House 103
89 拥有者
Wayne-Anthony
lock
0
view_module
89 项目visibility
27 查看- 单价美元单价数量到期自
- 单价美元单价数量地板价差异到期自
创作者 Wayne-Anthony
创作者 Wayne-Anthony
The government, media and its agencies declared war on youth culture. As British youth discover themselves on warehouse dance-floors, the nation’s media prepared to destroy the emerging new culture. Event promoters are branded Mr Big’s, so called ravers are considered undesirable and the biggest campaign we’d seen since the miners strike was unleashed on the United Kingdom. Nowhere was this more apparent than national media outlets. Sensensationalised headlines dominated news print media for two years. Headlines engineered to manipulate public opinion by presenting Acid House as a national threat to young people. Wayne Anthony complied three hundred original newspaper headlines published between 1988 and 1990.
Only First Buyers Receive Silkscreen Print | All Buyers: Unlockable Printable...
Silkscreen Print Details
Title: Frequency of Sound 1988 | Artist: Wayne Anthony | Limited Edition: 88 Prints | Each Piece Signed & Numbered: Pencil - Yes | Production Method: Silkscreen Printing | Size: 63 cm x 63 cm | Paper Thickness: 570 gsm | Canvas Front: Black | Hacienda Factory Yellow | Canvas Reverse: Hacienda Factory Yellow | Frame: All Frames | Float Mount Recommended
This rare collection symbolises one of the most uplifting periods in British history. Acid House was born in Chicago and raised in Europe. The impact was so great it triggered the biggest subcultural shift since Punk Rock. The Second Summer of Love in 1988 was soundtracked by electronic dance music and the banned drug MDMA. Great Britain and the rest of Europe is transformed overnight. This is the launching point for international rave culture. In 1988 Wayne Anthony co-founded Genesis’88 and staged some of the biggest illegal warehouse parties in British history. He later penned cult status book Class of 88 (Virgin Books 1998, 2018). Wayne is mentioned in over sixty published books and interviewed in dozens of documentaries screened on national and global TV networks. Wayne Anthony’s journey as a creative began in 1988 and culminates with the Only Love Conquers Hate Collection. Three unique NFTs (NonFungible Tokens) document the chronology of Acid House and formation of global rave c
keyboard_arrow_down
事件
单价
数量
自
至
日期
