1
创作者 0A48A1
创作者 0A48A1
Generative Piece:
Weekly the artwork will update on the blockchain to represent the gradual degradation of memories. The artworks following the first digital photograph are generated by the visual ai program DALL-E and an audio ai program written by Reuel Williams. Each video following the first one is an ai generated version of the prior images to show how our brains remember past moments and inevitably change the details and nuances, or lose them all together.
Description:
This was my way of exploring the end of my first important romantic relationship. The way in which the perception of the time together, on both sides, warped and changed as dependent on the feelings in the current moment. The experience for me was a catalyst for looking at how time affects both who we are in relationships and how we process their ending. The photograph of the two face to face is overlaid with a song written by Reuel that includes audio from a moment grabbed from that past relationship. I kept being struck by how, over time, even the sharpest memories degrade and become distorted, but our recall of events is greatly influenced by our feelings around the events but also our feelings about ourselves.The me in that relationship is not the me now, nor the me that will exist in another 5 years. In this piece especially, the AI is an absolutely integral part of capturing that gradual change of emotions through its collective information used to reimagine the original image that I photographed. Reuel created a similar program himself, writing a song for the beginning and final image in the 52-part series, then having his code create songs that morph from the first to the last as influenced by the pixels in my images. They’re not the same people from when the series started, the mood changes, and you see all of that develop with the AI. It’s a very literal representation of seeing someone differently over time.
Phases explores Diana Sinclair’s poignant relationship with time— the passage of it, the constant grief, and the end of life not equating to the end of time. “Where will I be if I’m not here?” is a question that often kept her up at night for hours which went on for years.
It was only as Diana matured and cultivated her life and mind with new experiences and thoughts, that she was able to let go of that near obsession. Now though, whenever she enters a quiet phase of life, she finds herself returning to those early questions and obsessions with grief, loss, and time. But at present, instead of being tormented about loss of life, she’s been troubled with feeling grief over the loss of unblemished memory of moments, eras, and phases of life.
Sinclair’s vision is to communicate the ever changing, personal, and complex idea of time and memories through the dynamic lens of digital art.
keyboard_arrow_down
事件
价格
自
至
日期
River over Stone
拥有者
Bosscat1313vault
1
visibility
37 查看- 价格美元价格数量到期自
- 价格美元价格数量地板价差异到期自
创作者 0A48A1
创作者 0A48A1
Generative Piece:
Weekly the artwork will update on the blockchain to represent the gradual degradation of memories. The artworks following the first digital photograph are generated by the visual ai program DALL-E and an audio ai program written by Reuel Williams. Each video following the first one is an ai generated version of the prior images to show how our brains remember past moments and inevitably change the details and nuances, or lose them all together.
Description:
This was my way of exploring the end of my first important romantic relationship. The way in which the perception of the time together, on both sides, warped and changed as dependent on the feelings in the current moment. The experience for me was a catalyst for looking at how time affects both who we are in relationships and how we process their ending. The photograph of the two face to face is overlaid with a song written by Reuel that includes audio from a moment grabbed from that past relationship. I kept being struck by how, over time, even the sharpest memories degrade and become distorted, but our recall of events is greatly influenced by our feelings around the events but also our feelings about ourselves.The me in that relationship is not the me now, nor the me that will exist in another 5 years. In this piece especially, the AI is an absolutely integral part of capturing that gradual change of emotions through its collective information used to reimagine the original image that I photographed. Reuel created a similar program himself, writing a song for the beginning and final image in the 52-part series, then having his code create songs that morph from the first to the last as influenced by the pixels in my images. They’re not the same people from when the series started, the mood changes, and you see all of that develop with the AI. It’s a very literal representation of seeing someone differently over time.
Phases explores Diana Sinclair’s poignant relationship with time— the passage of it, the constant grief, and the end of life not equating to the end of time. “Where will I be if I’m not here?” is a question that often kept her up at night for hours which went on for years.
It was only as Diana matured and cultivated her life and mind with new experiences and thoughts, that she was able to let go of that near obsession. Now though, whenever she enters a quiet phase of life, she finds herself returning to those early questions and obsessions with grief, loss, and time. But at present, instead of being tormented about loss of life, she’s been troubled with feeling grief over the loss of unblemished memory of moments, eras, and phases of life.
Sinclair’s vision is to communicate the ever changing, personal, and complex idea of time and memories through the dynamic lens of digital art.
keyboard_arrow_down
事件
价格
自
至
日期
