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创作者 0A48A1
创作者 0A48A1
Generative Piece:
Updates yearly at the end of January as affected by the doomsday clock. There are 4 videos. One video played at 4 different speeds. The closer the hand is to “midnight” an analogy for humanity’s man made destruction, the faster the video plays and more details lost in the frame
Description:
Inspired by the Doomsday Clock, an ominous symbol of the planet’s rapid progress towards destruction due to the technology and carelessness of mankind. The clock this year now sits at 100 seconds until midnight, symbolizing the man-made destruction of mankind. Every year, the artwork’s smart contract updates based on how close the Doomsday Clock is to midnight, losing time as we move closer to a point of no return. Like time itself the Doomsday Clock is just a man-made idea to help us to understand a greater concept but are we paying attention?
Phases explores Diana Sinclair’s poignant relationship with time— the passage of it, the constant grief, and the end of life not equating to the end of time. “Where will I be if I’m not here?” is a question that often kept her up at night for hours which went on for years.
It was only as Diana matured and cultivated her life and mind with new experiences and thoughts, that she was able to let go of that near obsession. Now though, whenever she enters a quiet phase of life, she finds herself returning to those early questions and obsessions with grief, loss, and time. But at present, instead of being tormented about loss of life, she’s been troubled with feeling grief over the loss of unblemished memory of moments, eras, and phases of life.
Sinclair’s vision is to communicate the ever changing, personal, and complex idea of time and memories through the dynamic lens of digital art.
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创作者 0A48A1
创作者 0A48A1
Generative Piece:
Updates yearly at the end of January as affected by the doomsday clock. There are 4 videos. One video played at 4 different speeds. The closer the hand is to “midnight” an analogy for humanity’s man made destruction, the faster the video plays and more details lost in the frame
Description:
Inspired by the Doomsday Clock, an ominous symbol of the planet’s rapid progress towards destruction due to the technology and carelessness of mankind. The clock this year now sits at 100 seconds until midnight, symbolizing the man-made destruction of mankind. Every year, the artwork’s smart contract updates based on how close the Doomsday Clock is to midnight, losing time as we move closer to a point of no return. Like time itself the Doomsday Clock is just a man-made idea to help us to understand a greater concept but are we paying attention?
Phases explores Diana Sinclair’s poignant relationship with time— the passage of it, the constant grief, and the end of life not equating to the end of time. “Where will I be if I’m not here?” is a question that often kept her up at night for hours which went on for years.
It was only as Diana matured and cultivated her life and mind with new experiences and thoughts, that she was able to let go of that near obsession. Now though, whenever she enters a quiet phase of life, she finds herself returning to those early questions and obsessions with grief, loss, and time. But at present, instead of being tormented about loss of life, she’s been troubled with feeling grief over the loss of unblemished memory of moments, eras, and phases of life.
Sinclair’s vision is to communicate the ever changing, personal, and complex idea of time and memories through the dynamic lens of digital art.
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