
Critically Extant is a project that explores just how little we know about the natural world by testing the limits of the data openly available to us in our digital lives. To achieve this, AI algorithms were trained on millions of open source images of nature and some ten thousand species. The resulting models were then used to generate visual representations of species that are critically endangered, yet have little or no online presence specially on social media The goal of this was to not only trace the edges of our knowledge, but to also explore how we can create feedback loops in the digital that can be positive for the natural world.

Critically Extant is a project that explores just how little we know about the natural world by testing the limits of the data openly available to us in our digital lives. To achieve this, AI algorithms were trained on millions of open source images of nature and some ten thousand species. The resulting models were then used to generate visual representations of species that are critically endangered, yet have little or no online presence specially on social media The goal of this was to not only trace the edges of our knowledge, but to also explore how we can create feedback loops in the digital that can be positive for the natural world.
The project was inaugurated as an Instagram exhibition, exploring how the pieces can become part of our daily digital intake of content as a means of creating awareness and potentially engagement on behalf of the species shared. Naturally, as the data available to us represents but a partial fraction of the real number of species currently estimated as known to us, the pieces in this series show animated specimens that bear some, little, or even no resemblance to the species they are meant to depict.
This underlines the difficulties we face in shifting also our digital spaces towards more balanced representation, but it should be grounds for agency too: as we can all create and contribute both physically and digitally and as such can actively work to form new feedback loops that can help bring the critically endangered species into our daily lives in order to get to find ways to care for them?

b. 1991, Argentina
Sofia Crespo is an Argentine artist based in Lisbon, Portugal, whose practice explores the convergence of artificial intelligence and biological systems. Working as part of the artistic duo Entangled Others with Norwegian artist Feileacan Kirkbride McCormick, she investigates how organic life and artificial mechanisms simulate and evolve each other. Her work examines humanity's evolving relationship with technology across time, drawing connections between historical innovations like microscopes and cameras that transformed our understanding of reality, to contemporary neural networks that reshape how we process and interpret complex patterns. This technological lineage informs projects like Neural Zoo (2018-2020) and Structures of Being (2024), which position machine learning as an extension of natural processes, drawing parallels between AI image formation and biological pattern recognition. Her work has been exhibited globally at institutions including the Victoria & Albert Museum, London, and Times Square, New York City. In 2022, Entangled Others' piece Swim was acquired by the Buffalo AKG Art Museum for its permanent collection. Crespo's contributions to the field have been recognized with the AI Newcomer Award by the German Informatics Society, and she frequently shares her insights through lectures at institutions like MIT and the Oxford Artificial Intelligence Society.













Critically Extant is a project that explores just how little we know about the natural world by testing the limits of the data openly available to us in our digital lives. To achieve this, AI algorithms were trained on millions of open source images of nature and some ten thousand species. The resulting models were then used to generate visual representations of species that are critically endangered, yet have little or no online presence specially on social media The goal of this was to not only trace the edges of our knowledge, but to also explore how we can create feedback loops in the digital that can be positive for the natural world.

Critically Extant is a project that explores just how little we know about the natural world by testing the limits of the data openly available to us in our digital lives. To achieve this, AI algorithms were trained on millions of open source images of nature and some ten thousand species. The resulting models were then used to generate visual representations of species that are critically endangered, yet have little or no online presence specially on social media The goal of this was to not only trace the edges of our knowledge, but to also explore how we can create feedback loops in the digital that can be positive for the natural world.
The project was inaugurated as an Instagram exhibition, exploring how the pieces can become part of our daily digital intake of content as a means of creating awareness and potentially engagement on behalf of the species shared. Naturally, as the data available to us represents but a partial fraction of the real number of species currently estimated as known to us, the pieces in this series show animated specimens that bear some, little, or even no resemblance to the species they are meant to depict.
This underlines the difficulties we face in shifting also our digital spaces towards more balanced representation, but it should be grounds for agency too: as we can all create and contribute both physically and digitally and as such can actively work to form new feedback loops that can help bring the critically endangered species into our daily lives in order to get to find ways to care for them?

b. 1991, Argentina
Sofia Crespo is an Argentine artist based in Lisbon, Portugal, whose practice explores the convergence of artificial intelligence and biological systems. Working as part of the artistic duo Entangled Others with Norwegian artist Feileacan Kirkbride McCormick, she investigates how organic life and artificial mechanisms simulate and evolve each other. Her work examines humanity's evolving relationship with technology across time, drawing connections between historical innovations like microscopes and cameras that transformed our understanding of reality, to contemporary neural networks that reshape how we process and interpret complex patterns. This technological lineage informs projects like Neural Zoo (2018-2020) and Structures of Being (2024), which position machine learning as an extension of natural processes, drawing parallels between AI image formation and biological pattern recognition. Her work has been exhibited globally at institutions including the Victoria & Albert Museum, London, and Times Square, New York City. In 2022, Entangled Others' piece Swim was acquired by the Buffalo AKG Art Museum for its permanent collection. Crespo's contributions to the field have been recognized with the AI Newcomer Award by the German Informatics Society, and she frequently shares her insights through lectures at institutions like MIT and the Oxford Artificial Intelligence Society.

Critically Extant is a project that explores just how little we know about the natural world by testing the limits of the data openly available to us in our digital lives. To achieve this, AI algorithms were trained on millions of open source images of nature and some ten thousand species. The resulting models were then used to generate visual representations of species that are critically endangered, yet have little or no online presence specially on social media The goal of this was to not only trace the edges of our knowledge, but to also explore how we can create feedback loops in the digital that can be positive for the natural world.

Critically Extant is a project that explores just how little we know about the natural world by testing the limits of the data openly available to us in our digital lives. To achieve this, AI algorithms were trained on millions of open source images of nature and some ten thousand species. The resulting models were then used to generate visual representations of species that are critically endangered, yet have little or no online presence specially on social media The goal of this was to not only trace the edges of our knowledge, but to also explore how we can create feedback loops in the digital that can be positive for the natural world.
The project was inaugurated as an Instagram exhibition, exploring how the pieces can become part of our daily digital intake of content as a means of creating awareness and potentially engagement on behalf of the species shared. Naturally, as the data available to us represents but a partial fraction of the real number of species currently estimated as known to us, the pieces in this series show animated specimens that bear some, little, or even no resemblance to the species they are meant to depict.
This underlines the difficulties we face in shifting also our digital spaces towards more balanced representation, but it should be grounds for agency too: as we can all create and contribute both physically and digitally and as such can actively work to form new feedback loops that can help bring the critically endangered species into our daily lives in order to get to find ways to care for them?

b. 1991, Argentina
Sofia Crespo is an Argentine artist based in Lisbon, Portugal, whose practice explores the convergence of artificial intelligence and biological systems. Working as part of the artistic duo Entangled Others with Norwegian artist Feileacan Kirkbride McCormick, she investigates how organic life and artificial mechanisms simulate and evolve each other. Her work examines humanity's evolving relationship with technology across time, drawing connections between historical innovations like microscopes and cameras that transformed our understanding of reality, to contemporary neural networks that reshape how we process and interpret complex patterns. This technological lineage informs projects like Neural Zoo (2018-2020) and Structures of Being (2024), which position machine learning as an extension of natural processes, drawing parallels between AI image formation and biological pattern recognition. Her work has been exhibited globally at institutions including the Victoria & Albert Museum, London, and Times Square, New York City. In 2022, Entangled Others' piece Swim was acquired by the Buffalo AKG Art Museum for its permanent collection. Crespo's contributions to the field have been recognized with the AI Newcomer Award by the German Informatics Society, and she frequently shares her insights through lectures at institutions like MIT and the Oxford Artificial Intelligence Society.