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By colearon
By colearon
Speaking in Tongues speaks to that sacred expression of 'fire shut up in my bones'.
The purchased work includes an unlockable link to the artwork. [10000 x 10000 px (jpg)]
You have broad rights to use the art associated with your NFT:
-
Use the art for your own personal, non-commercial use;
-
Use the art when you’re on a marketplace that allows the purchase and sale of the art, so long as the marketplace cryptographically verifies that you are the owner; and
-
Use the art when you’re on a third party website or app that allows the inclusion, involvement, or participation of the art, so long as the website/app cryptographically verifies that you are the owner, and the art doesn’t stay on the website/app after you’ve left.
Restrictions include:
-
Modifying the art;
-
Using the art to market or sell third-party products;
-
Using the art in connection with images of hatred, violence, or other inappropriate behavior; or
-
Trying to trademark the art, or otherwise acquire intellectual property rights in it.
The How We Got Over Collection explores the creolization of African ritual in North America. Often practiced openly and in plain view, our rituals are earthy, colourful and full of emotion. The essential qualifier lies in the relief, release and comfort that our folkways afford. They lift us to hope. They carry us from day to day, through plague and famine. They bathe our reality in fantasmic color.
The collection is an interpretation of the a collection of tapestry works of the same title by renowned, multi-disciplinary artist Martin Grizzell. As a textile artist, Grizzell's works have been featured in Time Magazine and exhibited in galleries and sacred spaces throughout the U.S. and France. Two of his works are in the permanent collection of the Smithsonian Institution’s National Museum of African American History and Culture, and he is a featured designer in the book, Blacks in the History of Fashion (2022).
Speaking in Tongues-Stained Glass Series
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colearon
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25 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
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Speaking in Tongues-Stained Glass Series
所有者
colearon
lock
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visibility
25 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
By colearon
By colearon
Speaking in Tongues speaks to that sacred expression of 'fire shut up in my bones'.
The purchased work includes an unlockable link to the artwork. [10000 x 10000 px (jpg)]
You have broad rights to use the art associated with your NFT:
-
Use the art for your own personal, non-commercial use;
-
Use the art when you’re on a marketplace that allows the purchase and sale of the art, so long as the marketplace cryptographically verifies that you are the owner; and
-
Use the art when you’re on a third party website or app that allows the inclusion, involvement, or participation of the art, so long as the website/app cryptographically verifies that you are the owner, and the art doesn’t stay on the website/app after you’ve left.
Restrictions include:
-
Modifying the art;
-
Using the art to market or sell third-party products;
-
Using the art in connection with images of hatred, violence, or other inappropriate behavior; or
-
Trying to trademark the art, or otherwise acquire intellectual property rights in it.
The How We Got Over Collection explores the creolization of African ritual in North America. Often practiced openly and in plain view, our rituals are earthy, colourful and full of emotion. The essential qualifier lies in the relief, release and comfort that our folkways afford. They lift us to hope. They carry us from day to day, through plague and famine. They bathe our reality in fantasmic color.
The collection is an interpretation of the a collection of tapestry works of the same title by renowned, multi-disciplinary artist Martin Grizzell. As a textile artist, Grizzell's works have been featured in Time Magazine and exhibited in galleries and sacred spaces throughout the U.S. and France. Two of his works are in the permanent collection of the Smithsonian Institution’s National Museum of African American History and Culture, and he is a featured designer in the book, Blacks in the History of Fashion (2022).
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